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SCHREIBHEFT 72: Die Frage nach Milton Sills - Wirkliche und erfundene Gespräche mit Hugo Claus, Cees Nooteboom, Jorge Luis Borges und Ernesto Sabato
ISBN/GTIN

SCHREIBHEFT 72: Die Frage nach Milton Sills - Wirkliche und erfundene Gespräche mit Hugo Claus, Cees Nooteboom, Jorge Luis Borges und Ernesto Sabato

Zeitschrift für Literatur
BuchKartoniert, Paperback
EUR12,00

Details

ISBN/GTIN978-3-924071-28-8
ProduktartBuch
EinbandKartoniert, Paperback
FormatPaperback (Deutsch)
VerlagRigodon
Erscheinungsdatum15.03.2009
ReiheSchreibheft
Reihen-Nr.72
SpracheDeutsch
Artikel-Nr.2557799
KatalogVLB
Datenquelle-Nr.d5d41c3414694608adac6221b04763dc
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Jane Austen is a writer ruined by TV adaptation (before you all start writing letters, I know there are good ones). Despite two centuries of inclusion in the canon, there are still many (and I am afraid they are mostly men) who dismiss her as 'frivolous', 'saccharine' or 'unserious'. This means it is only worth continuing to discuss Austen with people if they either don't use any of the aforementioned adjectives or if, by the latter, they mean, she is one of the funniest writers in English (full stop). If you don't know this already, the first page of 'Persuasion' will convince you, and then her biting, satirical commentary on Georgian society will show you that far from reverently writing about it out of admiration, she irreverently lambasts it and its eccentric snobbish hierarchy (people who write her off will probably say John Oliver likes Trump because both wear suits). If you don't believe me (and even if you do), read her (and start with 'Persuasion') before you watch her.
Jane Austen is a writer ruined by TV adaptation (before you all start writing letters, I know there are good ones). Despite two centuries of inclusion in the canon, there are still many (and I am afraid they are mostly men) who dismiss her as 'frivolous', 'saccharine' or 'unserious'. This means it is only worth continuing to discuss Austen with people if they either don't use any of the aforementioned adjectives or if, by the latter, they mean, she is one of the funniest writers in English (full stop). If you don't know this already, the first page of 'Persuasion' will convince you, and then her biting, satirical commentary on Georgian society will show you that far from reverently writing about it out of admiration, she irreverently lambasts it and its eccentric snobbish hierarchy (people who write her off will probably say John Oliver likes Trump because both wear suits). If you don't believe me (and even if you do), read her (and start with 'Persuasion') before you watch her.
Whoa. What a devastating read! A dystopia in the darkest sense of the word - without a happy ending whatsoever (that's how I interpret it at least).
A must-read classic.

You'll never think of rats the same way again!

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