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SCHREIBHEFT 100: Frank Witzel: Von aufgegebenen Autoren. 100 Vergessene, Verkannte, Verschollene /

Vom Wurzelfassen im Bodenlosen: Die Textgelände der Marianne Fritz / Hervé Le Tellier: An den Steilhängen des Monte Calvino
BuchKartoniert, Paperback
EUR16,50

Details

ISBN/GTIN978-3-924071-57-8
ProduktartBuch
EinbandKartoniert, Paperback
FormatPaperback (Deutsch)
VerlagRigodon
Erscheinungsdatum27.02.2023
Reihen-Nr.100
SpracheDeutsch
Gewicht350 g
Artikel-Nr.26140181
KatalogVLB
Datenquelle-Nr.6237ae9eba234eeeaf54f137f99b2c5a
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Jane Austen is a writer ruined by TV adaptation (before you all start writing letters, I know there are good ones). Despite two centuries of inclusion in the canon, there are still many (and I am afraid they are mostly men) who dismiss her as 'frivolous', 'saccharine' or 'unserious'. This means it is only worth continuing to discuss Austen with people if they either don't use any of the aforementioned adjectives or if, by the latter, they mean, she is one of the funniest writers in English (full stop). If you don't know this already, the first page of 'Persuasion' will convince you, and then her biting, satirical commentary on Georgian society will show you that far from reverently writing about it out of admiration, she irreverently lambasts it and its eccentric snobbish hierarchy (people who write her off will probably say John Oliver likes Trump because both wear suits). If you don't believe me (and even if you do), read her (and start with 'Persuasion') before you watch her.
Jane Austen is a writer ruined by TV adaptation (before you all start writing letters, I know there are good ones). Despite two centuries of inclusion in the canon, there are still many (and I am afraid they are mostly men) who dismiss her as 'frivolous', 'saccharine' or 'unserious'. This means it is only worth continuing to discuss Austen with people if they either don't use any of the aforementioned adjectives or if, by the latter, they mean, she is one of the funniest writers in English (full stop). If you don't know this already, the first page of 'Persuasion' will convince you, and then her biting, satirical commentary on Georgian society will show you that far from reverently writing about it out of admiration, she irreverently lambasts it and its eccentric snobbish hierarchy (people who write her off will probably say John Oliver likes Trump because both wear suits). If you don't believe me (and even if you do), read her (and start with 'Persuasion') before you watch her.
Whoa. What a devastating read! A dystopia in the darkest sense of the word - without a happy ending whatsoever (that's how I interpret it at least).
A must-read classic.

You'll never think of rats the same way again!

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