Merkliste
Die Merkliste ist leer.
Der Warenkorb ist leer.
Kostenloser Versand möglich
Kostenloser Versand möglich
Bitte warten - die Druckansicht der Seite wird vorbereitet.
Der Druckdialog öffnet sich, sobald die Seite vollständig geladen wurde.
Sollte die Druckvorschau unvollständig sein, bitte schliessen und "Erneut drucken" wählen.
Between Prague Spring and French May
ISBN/GTIN

Between Prague Spring and French May

Opposition and Revolt in Europe, 1960-1980
TaschenbuchKartoniert, Paperback
EUR42,00

Produktbeschreibung

Abandoning the usual Cold War-oriented narrative of postwar European protest and opposition movements, this volume offers an innovative, interdisciplinary, and comprehensive perspective on two decades of protest and social upheaval in postwar Europe. It examines the mutual influences and interactions among dissenters in Western Europe, the Warsaw Pact countries, and the nonaligned European countries, and shows how ideological and political developments in the East and West were interconnected through official state or party channels as well as a variety of private and clandestine contacts. Focusing on issues arising from the cross-cultural transfer of ideas, the adjustments to institutional and political frameworks, and the role of the media in staging protest, the volume examines the romanticized attitude of Western activists to violent liberation movements in the Third World and the idolization of imprisoned RAF members as martyrs among left-wing circles across Western Europe.
Weiterlesen

Details

ISBN/GTIN978-1-78238-051-1
ProduktartTaschenbuch
EinbandKartoniert, Paperback
Erscheinungsdatum01.08.2013
SpracheEnglisch
MasseBreite 152 mm, Höhe 229 mm, Dicke 20 mm
Gewicht516 g
Artikel-Nr.4279005
KatalogLibri
Datenquelle-Nr.A21573167
Weitere Details

Bewertungen

Empfehlungen zu ähnlichen Produkten

In this captivating book Amelia Horgan explores work as a dominant feature of capitalism and examines how our day-to-day lives are deeply influenced by capitalist ideology. This is an anti-capitalist manifesto Karl Marx himself would be proud of, which challenges long withstanding myths and provides the necessary analytical tools for a critical engagement with the status quo. Horgan develops a comprehensible theoretical framework that inspires action and - maybe even more importantly - hope that things can still change. She ends with a heartfelt call for unionising which takes on new urgency in view of the recent developments in workers' rights all over the world.
This book has had something of a miraculous resurrection. A few months ago, it looked like it could well be pulped and its author sued for libel after one of his subjects took offence at a less than flattering portrait. British libel laws are such that a writer facing an oligarch in court is not felt to stand much of a chance and there was a strong feeling in the publishing world that Tom Burgis would be required to cough up a considerable sum of cash. For once however, the British courts sided with the little guy and dismissed the case, allowing this excellent book to continue its life out in the wild. Although technical and at times a bit opaque on financial detail, it is an extremely well put together account of how dodgy money (very often channelled through London) can be moved around the world and continuing enriching both its very questionable owners and their willing accessories.
In Kapuscinski's strange, genre-defying work, a choir of former courtiers whispers to him about the extravagances and eventual decline of the Ethiopian monarchy. The book sits somewhere between oral history and reportage but its strange magic is wrought through the voices of the disgraced king's servants, now in hiding and only to be met through secret doors. They describe the lavish palace, the absurd rituals and the absolute power of the king that everyone had to scrape under. Their flowery language of adoration and servitude masks hidden depths of resentment and glee. It is this contradiction, as well as the observations on possibly the last absolutist monarchy, that make this book the astonishing masterpiece it is.

Autor/in

Martin Klimke is an associate professor of history at New York University Abu Dhabi.