Merkliste
Die Merkliste ist leer.
Der Warenkorb ist leer.
Kostenloser Versand möglich
Kostenloser Versand möglich
Bitte warten - die Druckansicht der Seite wird vorbereitet.
Der Druckdialog öffnet sich, sobald die Seite vollständig geladen wurde.
Sollte die Druckvorschau unvollständig sein, bitte schliessen und "Erneut drucken" wählen.

Produktbeschreibung

This book investigates the connections between evaluative judgements on language and the larger social, cultural, and political issues that shed light on the practice of prescriptivism. The chapters cover three main areas: language, which represents the traditional roots of the study of linguistic norms in authoritative (historical) manuals and judgemental attitudes to language usage; literary and scripted texts, which illustrates the enregisterment of the values of linguistic prescriptivism as a social and cultural phenomenon; and speech communities, which reflects the growth in scope of the field to consider geographical contexts beyond mainstream British and American English to include varieties of English and other languages worldwide. The book also discusses recent theoretical and methodological advances in the study of prescriptivism.
Weiterlesen

Details

Weitere ISBN/GTIN9781800416161
ProduktartE-Book
EinbandE-Book
FormatEPUB
Format HinweisAdobe DRM [Hard-DRM]
FormatFormat mit automatischem Seitenumbruch (reflowable)
ErscheinungsortBristol
ErscheinungslandVereinigtes Königreich
Erscheinungsdatum16.04.2024
Reihen-Nr.176
SpracheEnglisch
Dateigrösse8997035 Bytes
Artikel-Nr.13949527
KatalogVC
Datenquelle-Nr.5166389
Weitere Details

Reihe

Bewertungen

Empfehlungen zu ähnlichen Produkten

Ob Brexit, Trump oder Querdenker - Im öffentlichen Leben beobachten wir allenthalben einen politischen Diskurs, der sich von der Unterscheidung von Wahrheit und Lüge gewissermaßen verabschiedet zu haben scheint - meint die renommierte Literaturwissenschaftlerin Nicola Gess. In ihrem Essay analysiert sie die Narrative von Fake-News am Beispiel von Ken Jebsen, Claas Relotius und Uwe Tellkamp.

Oft gehe es nicht mehr darum, ob Fakten wahr bzw beweisbar sind, die Initiatoren wollen vielmehr eine schlüssige Fiktion formulieren, die für die Zielgruppe "emotional glaubwürdig" ist. Es gehe nur noch um die Inszenierung dieses Narrativs. Sie plädiert bei der Beschäftigung mit den neuen populistischen Strömungen weniger für Faktenchecks, sondern für Fiktions-Checks, da große Teile der Zielgruppe sich von logischen Diskussionen bereits verabschiedet haben.
Erschienen in der wunderbaren Reihe "Die fröhliche Wissenschaft", in der es noch viele weitere erhellende Essays zu entdecken gilt.
Renowned science fiction writer M. John Harrison looks back on his impressive career and reflects on his life as well as his stance on literature and writing - what might sound like a fairly straightforward and possibly lacklustre endeavour ends up being the complete opposite. As Harrison is skeptical about the memoir itself (he calls his an "anti-memoir"), reading "Wish I was here" feels like finding a bunch of blurry snapshots in an old box, all out of order or context. The passages in which he lays out political ideas or describes his writing process cut through this dreamlike scenario like a knife; not only because of how precisely they are phrased, but also because of how interesting, unusual and sometimes provocative they are (in a good way). I can safely say I've never read a memoir - or a creative writing guidebook - that comes close to this one!
Jane Austen is a writer ruined by TV adaptation (before you all start writing letters, I know there are good ones). Despite two centuries of inclusion in the canon, there are still many (and I am afraid they are mostly men) who dismiss her as 'frivolous', 'saccharine' or 'unserious'. This means it is only worth continuing to discuss Austen with people if they either don't use any of the aforementioned adjectives or if, by the latter, they mean, she is one of the funniest writers in English (full stop). If you don't know this already, the first page of 'Persuasion' will convince you, and then her biting, satirical commentary on Georgian society will show you that far from reverently writing about it out of admiration, she irreverently lambasts it and its eccentric snobbish hierarchy (people who write her off will probably say John Oliver likes Trump because both wear suits). If you don't believe me (and even if you do), read her (and start with 'Persuasion') before you watch her.
Jane Austen is a writer ruined by TV adaptation (before you all start writing letters, I know there are good ones). Despite two centuries of inclusion in the canon, there are still many (and I am afraid they are mostly men) who dismiss her as 'frivolous', 'saccharine' or 'unserious'. This means it is only worth continuing to discuss Austen with people if they either don't use any of the aforementioned adjectives or if, by the latter, they mean, she is one of the funniest writers in English (full stop). If you don't know this already, the first page of 'Persuasion' will convince you, and then her biting, satirical commentary on Georgian society will show you that far from reverently writing about it out of admiration, she irreverently lambasts it and its eccentric snobbish hierarchy (people who write her off will probably say John Oliver likes Trump because both wear suits). If you don't believe me (and even if you do), read her (and start with 'Persuasion') before you watch her.

Autor/in

Nuria Yáñez-Bouza is Senior Lecturer at the University of Vigo, Spain and Honorary Research Fellow at the University of Manchester, UK. Her research interests lie in historical sociolinguistics with a focus on the relationship between norms and usage in the 18th century. She has also been actively involved in the field of Digital Humanities with the compilation of corpora and electronic databases.

María E. Rodríguez-Gil is Lecturer in the Department of Modern Philology, Translation and Interpreting at the University of Las Palmas de Gran Canaria, Spain. Her research expertise lies in the field of the 18th-century grammatical tradition, the relationship between prescriptivism and descriptivism, and the history of the teaching of English to a native and non-native audience.

Javier Pérez-Guerra is Professor of English Linguistics at the University of Vigo, Spain. His areas of specialisation are information packaging in the clause, multidimensional approaches to register variation as applied to earlier periods of English, the study of grammatical variation between modern and Present-day English from corpus-based empirical perspectives, and the impact of performance preferences and ease of processing on the design of grammars.

Schlagworte