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Die Internationale vor Stalin
ISBN/GTIN

Die Internationale vor Stalin

Die ersten fünf Jahre der Kommunistischen Internationale
BookHardcover
EUR25,90

Product description

Leo Trotzki und Wladimir I. Lenin spielten die Hauptrolle auf den ersten vier Kongressen der Kommunistischen Internationale von 1919 bis 1922. Dieser Band, der zum ersten Mal in deutscher Sprache erscheint, enthält die wichtigsten Reden von Trotzki, Manifeste und Artikel von den ersten drei Kongressen, die nach dem Ende des Ersten Weltkriegs und nach der Oktoberrevolution stattfanden. Besondere Aufmerksamkeit wird der Entwicklung der deutschen und französischen Kommunistischen Parteien geschenkt. Der Band schließt mit dem berühmten Bericht Leo Trotzkis 'Über die Weltwirtschaftskrise und die neuen Aufgaben der Kommunistischen Internationale'.
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ISBN/GTIN978-3-88634-094-1
Product TypeBook
BindingHardcover
Publication townEssen
Publication countryGermany
Publishing date15/12/2024
Pages420 pages
LanguageGerman
Article no.1408939
CatalogsVLB
Data source no.382307b2ba3f4e9e8f2c779074217040
Product groupBU556
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Ein richtig spannend zu lesendes Stück Zeitgeschichte, dass Simon Park hier ans Licht bringt! Da sitzen in der Irischen See gelegen, mit nicht einmal 600qm, auf einer trüben und nebligen Insel die talentiertesten, auch etabliertesten Köpfe der deutschen und österreichischen Kunstwelt. Interniert im Juli 1940, auf der Isle of Man, auf Churchills Befehl, aus Angst vor Kollaboration mit Hitler-Deutschland. Einem Land, aus dem sie nach Großbritannien ins Exil geflohen waren und vor dem sie glaubten in Sicherheit zu sein. Angesichts ihrer verzweifelten Lage und um nicht vor Tatenlosigkeit in Depression zu versinken, organisieren die Kriegsflüchtigen sich und nutzen ihre bis dahin ausgeübten beruflichen Tätigkeiten und Kenntnisse, als psychologische Stütze für sich und die anderen Mitinternierten. Simon Parks Recherche stützt sich auf umfassendes Archivmaterial, vorallem des schriftlichen Nachlasses vom deutsch-britischen Kunsthistoriker Klaus Hinrichsen, der fast ein Jahr im "Lager der Künstler", das zwar so genannt wird, obwohl die Zahl der Wissenschaftler überwog, interniert war. Eine unglaubliche Geschichte!
It is quite unusual for professional, academic historians to know their subjects personally. More unusual still for them if these subjects were members of regimes which the historians look at critically. And perhaps more unusual again if the historian in question suspects the subject to have been at the centre of an enormous crime. Such is however the reality of the relationship between Jonathan Petropoulos and Bruno Lohse, "Göring's Man in Paris".

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