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Freundinnen

Die schönsten Geschichten von Elke Heidenreich, Judith Hermann, Alice Munro u.v.a.
BookHardcover
EUR14,00
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4xDussmann das KulturKaufhaus

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Geschichten von und für die besten Menschen der Welt - unsere Freundinnen!

»Freunde sollte der Mensch schon haben, sonst wird es wirklich kalt in der Welt. Ohne die wirklich gute, enge Herzensfreundin, die alles versteht, über Jahre alles mitkriegt, alles erzählt und tröstet und getröstet wird, ohne diese Freundin ist das Leben trübe.«
Elke Heidenreich

Mit Texten von Julia Franck, Silvia Bovenschen, Anne Frank und vielen anderen
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ISBN/GTIN978-3-596-52360-3
Product TypeBook
BindingHardcover
Publishing date24/04/2024
Edition2. Auflage
Series no.52360
Pages304 pages
LanguageGerman
Weight187 g
Article no.27500787
CatalogsVLB
Data source no.88f4a35679d84b8381f40c0c2f5fc2d5
Product groupBU140
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Jane Austen is a writer ruined by TV adaptation (before you all start writing letters, I know there are good ones). Despite two centuries of inclusion in the canon, there are still many (and I am afraid they are mostly men) who dismiss her as 'frivolous', 'saccharine' or 'unserious'. This means it is only worth continuing to discuss Austen with people if they either don't use any of the aforementioned adjectives or if, by the latter, they mean, she is one of the funniest writers in English (full stop). If you don't know this already, the first page of 'Persuasion' will convince you, and then her biting, satirical commentary on Georgian society will show you that far from reverently writing about it out of admiration, she irreverently lambasts it and its eccentric snobbish hierarchy (people who write her off will probably say John Oliver likes Trump because both wear suits). If you don't believe me (and even if you do), read her (and start with 'Persuasion') before you watch her.
Jane Austen is a writer ruined by TV adaptation (before you all start writing letters, I know there are good ones). Despite two centuries of inclusion in the canon, there are still many (and I am afraid they are mostly men) who dismiss her as 'frivolous', 'saccharine' or 'unserious'. This means it is only worth continuing to discuss Austen with people if they either don't use any of the aforementioned adjectives or if, by the latter, they mean, she is one of the funniest writers in English (full stop). If you don't know this already, the first page of 'Persuasion' will convince you, and then her biting, satirical commentary on Georgian society will show you that far from reverently writing about it out of admiration, she irreverently lambasts it and its eccentric snobbish hierarchy (people who write her off will probably say John Oliver likes Trump because both wear suits). If you don't believe me (and even if you do), read her (and start with 'Persuasion') before you watch her.
Whoa. What a devastating read! A dystopia in the darkest sense of the word - without a happy ending whatsoever (that's how I interpret it at least).
A must-read classic.

You'll never think of rats the same way again!

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