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E. T. A. Hoffmann zum Vergnügen

Deutsch-Lektüre, Deutsche Klassiker der Literatur - 19652
BookPaperback
EUR6,00
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»Verrücktheiten eines Mondsüchtigen«, das waren für Goethe die Texte E. T. A. Hoffmanns. Zum Glück wird dies heute anders gesehen: Der Schriftsteller, Dirigent und Karikaturist hat seinen festen Platz im Kanon der deutschen Literatur (ja, der Weltliteratur) - und das mit einem Reichtum an Genres, vom Schauerroman über das Nachtstück und das romantische Kunstmärchen bis zum 'tierischen Bildungsroman'. Es gibt wohl kein poetologisch und ästhetisch so raffiniertes _uvre, das immer auch eines ist: vergnüglich!
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ISBN/GTIN978-3-15-019652-6
Product TypeBook
BindingPaperback
PublisherReclam
Publication townDitzingen
Publication countryGermany
Publishing date05/11/2021
Series no.19652
Pages151 pages
LanguageGerman
Illustrations12 Rastergrafiken
Article no.19898674
CatalogsVLB
Data source no.74fe45416033440a95c6de95987bf4d5
Product groupBU140
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Jane Austen is a writer ruined by TV adaptation (before you all start writing letters, I know there are good ones). Despite two centuries of inclusion in the canon, there are still many (and I am afraid they are mostly men) who dismiss her as 'frivolous', 'saccharine' or 'unserious'. This means it is only worth continuing to discuss Austen with people if they either don't use any of the aforementioned adjectives or if, by the latter, they mean, she is one of the funniest writers in English (full stop). If you don't know this already, the first page of 'Persuasion' will convince you, and then her biting, satirical commentary on Georgian society will show you that far from reverently writing about it out of admiration, she irreverently lambasts it and its eccentric snobbish hierarchy (people who write her off will probably say John Oliver likes Trump because both wear suits). If you don't believe me (and even if you do), read her (and start with 'Persuasion') before you watch her.
Jane Austen is a writer ruined by TV adaptation (before you all start writing letters, I know there are good ones). Despite two centuries of inclusion in the canon, there are still many (and I am afraid they are mostly men) who dismiss her as 'frivolous', 'saccharine' or 'unserious'. This means it is only worth continuing to discuss Austen with people if they either don't use any of the aforementioned adjectives or if, by the latter, they mean, she is one of the funniest writers in English (full stop). If you don't know this already, the first page of 'Persuasion' will convince you, and then her biting, satirical commentary on Georgian society will show you that far from reverently writing about it out of admiration, she irreverently lambasts it and its eccentric snobbish hierarchy (people who write her off will probably say John Oliver likes Trump because both wear suits). If you don't believe me (and even if you do), read her (and start with 'Persuasion') before you watch her.
Whoa. What a devastating read! A dystopia in the darkest sense of the word - without a happy ending whatsoever (that's how I interpret it at least).
A must-read classic.

You'll never think of rats the same way again!

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