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Black Cat Mystery Magazine #10
ISBN/GTIN

Black Cat Mystery Magazine #10

BookPaperback
EUR15,50

Product description

The 10th issue of Black Cat Mystery Magazine features another great lineup of original crime and mystery fiction, plus one classic reprint. Here are:THE LAST GASP, by H.K. SladeSPOOK, by Emilio DeGraziaOUT OF A FOG, by Barb GoffmanEL PESCADOR ZURDO, by Tom LarsenA BLUE UMBRELLA SKY, by R.S. MorganDEATH WILL GIVE YOU A REASON, by Elizabeth ZelvinTHE MANNEQUIN GRAVEYARD, by Gregory L. NorrisSAVING THE INDIANA DAE, by Vicki WeisfeldTHE CONTROL TOWER, by Janice LawSLOW DOWN, by Steve LiskowBURNIN BUTT, TEXAS, by Mark TroyCLASSIC REPRINTAFFAIR OF LAMSON'S COOK, by Charles Felton
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Details

ISBN/GTIN978-1-4794-6917-8
Product TypeBook
BindingPaperback
Publishing date08/11/2021
LanguageEnglish
SizeWidth 152 mm, Height 229 mm, Thickness 7 mm
Weight192 g
Article no.20790752
CatalogsLibri
Data source no.A42761119
Product groupBU140
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Jane Austen is a writer ruined by TV adaptation (before you all start writing letters, I know there are good ones). Despite two centuries of inclusion in the canon, there are still many (and I am afraid they are mostly men) who dismiss her as 'frivolous', 'saccharine' or 'unserious'. This means it is only worth continuing to discuss Austen with people if they either don't use any of the aforementioned adjectives or if, by the latter, they mean, she is one of the funniest writers in English (full stop). If you don't know this already, the first page of 'Persuasion' will convince you, and then her biting, satirical commentary on Georgian society will show you that far from reverently writing about it out of admiration, she irreverently lambasts it and its eccentric snobbish hierarchy (people who write her off will probably say John Oliver likes Trump because both wear suits). If you don't believe me (and even if you do), read her (and start with 'Persuasion') before you watch her.
Jane Austen is a writer ruined by TV adaptation (before you all start writing letters, I know there are good ones). Despite two centuries of inclusion in the canon, there are still many (and I am afraid they are mostly men) who dismiss her as 'frivolous', 'saccharine' or 'unserious'. This means it is only worth continuing to discuss Austen with people if they either don't use any of the aforementioned adjectives or if, by the latter, they mean, she is one of the funniest writers in English (full stop). If you don't know this already, the first page of 'Persuasion' will convince you, and then her biting, satirical commentary on Georgian society will show you that far from reverently writing about it out of admiration, she irreverently lambasts it and its eccentric snobbish hierarchy (people who write her off will probably say John Oliver likes Trump because both wear suits). If you don't believe me (and even if you do), read her (and start with 'Persuasion') before you watch her.
Whoa. What a devastating read! A dystopia in the darkest sense of the word - without a happy ending whatsoever (that's how I interpret it at least).
A must-read classic.

You'll never think of rats the same way again!

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