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Product description

In the past few decades, Western studies of Afrofuturism have grown to encompass examples deriving from multiple sites across the diaspora, as well as from the African continent. However, an increasing number of Africans and Africanists have voiced their concerns about grouping African work under the larger umbrella of Afrofuturism without distinction and have emphasized the need to investigate the differences between African American and African production. This book offers an introduction to Africanfuturism-a body of African speculative works that is distinguishable from, albeit related to, US-based Afrofuturism.

Kimberly Cleveland uses Africanfuturism as an intellectual lens to explore works that embody combinations of possibilities, challenges, and concerns related to what lies ahead for the continent and its peoples. This book highlights twenty-first-century film, video, painting, sculpture, photography, tapestry, novels, short stories, comic books, song lyrics, and architecture by African creatives of different nationalities, races, ethnicities, genders, and generations. Cleveland analyzes the ideas and opinions of African intellectuals and cultural producers, combining interviews with historical research. Each chapter features one of Africanfuturism´s most common themes: space and time exploration, creation of worlds, technology and the digital divide, Sankofa and remix, and mythmaking.

This investigation of Africanfuturism is geared toward students, academics, and Afrofuturism enthusiasts, and its included discussion questions facilitate classroom use. The book illuminates Africa´s place in the worlds of science fiction and fantasy and how Africanfuturist work builds on the continent´s own traditions of speculative expression. Because these creative works disrupt the history of Western domination in Africa, Cleveland also connects Africanfuturism with the process of decolonization and addresses specific ways in which African creatives (re)center indigenous beliefs, strategies, and approaches in their production.  Africanfuturism  encourages both imaginative possibilities and potential real-world outcomes, highlighting the rich contributions of Africans to the vision of future worlds.
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Additional ISBN/GTIN9780821441268
Product TypeE-book
BindingE-book
FormatEPUB
FormatReflowable
Publishing date27/02/2024
LanguageEnglish
File size18032956 Bytes
Article no.14282416
CatalogsVC
Data source no.5434510
Product groupBU583
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Between Albrecht Dürer, whales, Thomas Mann, the atom bomb, David Bowie and all the many things contained in this magnificent book, Philip Hoare gives you the feeling that everything in our world might actually be connected if we just take a close enough look at it. I would call this a work of incidental opulence; its network of purposefully aligned but seemingly random anecdotes, facts and occurrences pulls you in like the sea (literally). Beautifully crafted sentences are dropped lavishly here and there as if they were not a big deal; blink and you'll miss them. And if Hoare's writing reminds you at times of the prose of WG Sebald, then not even that would be a coincidence: Apparently, Sebald came up to him at his own book signing, asking Hoare politely if he was okay with Sebald stealing some of his ideas. I think I will get back to this and admire it for years to come.

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