Notepad
The notepad is empty.
The basket is empty.
Free shipping possible
Free shipping possible
Please wait - the print view of the page is being prepared.
The print dialogue opens as soon as the page has been completely loaded.
If the print preview is incomplete, please close it and select "Print again".
Kazi Nazrul Islam's Journalism
ISBN/GTIN

Kazi Nazrul Islam's Journalism

E-bookEPUBDRM AdobeE-book
EUR96,99

Product description

Celebrated as the national poet of Bangladesh and fondly commemorated in India as the 'Rebel Poet', Kazi Nazrul Islam (1899-1976) is widely known for his poetry and music, although his political philosophy and anti-colonial revolutionary sentiments are best expressed in his journalistic writings.
Nazrul's journalistic career spans across three key newspapers: Nabajug, Dhumketu and Langol. Editorials in Nabajug addressed a diverse range of subjects, including untouchability, racial discrimination, power structure and the importance of communal harmony. Dhumketu, perhaps the most signifi­cant amongst Nazrul's revolutionary contributions, became a testimonial to the reclamation of India's complete freedom, which eventually proved perilous for Nazrul. Langol, the mouthpiece of the Labour Swaraj Party, was the ­first Bengali paper speci­fically for and by the working class. It provided voice to the labourers and peasants, speaking self-reflexively about the nation's agro-economy.
Kazi Nazrul Islam's Journalism brings together for the fi­rst time in English Nazrul's editorials published in the colonial Indian subcontinent and showcases Nazrul's far-reaching views on subjects close to his heart. By critically examining these essays, Arka Deb establishes Nazrul's relevance in the current times.
Read more

Details

Additional ISBN/GTIN9789356400092
Product TypeE-book
BindingE-book
FormatEPUB
Format noteDRM Adobe
PublisherBloomsbury UK
Publishing date30/01/2023
Edition1. Auflage
LanguageEnglish
File size652 Kbytes
Article no.12739811
CatalogsVC
Data source no.4675081
Product groupBU562
More details

Series

Ratings

Recommendations for similar products

After reading my collegue's review, I decided to give it a shot, being sex-related sociology amongst my fields of interest.
Ania Srinivasan deals with thorny topics which feminists have been engaging for decades with, without coming across as condescending. On the contrary, her stance on the different issues is imbued with knowledge and humbleness of not having necessarily the final answer. Her intellectual honesty is just so outstanding that - no matter if you agree with her or not - you can't help but keep the book glued to your eyes!

I hope to hear more of her publishings soon
Viola Davis impresses with intensity in cinema, for television and on stage. In 'Finding me' we accompany the actress through her childhood and to the roots of her strength.
It's a tough road full of adversity, setbacks and trauma.
Viola's powerful writing is breathtaking, relentlessly honest and full of wise insights.
I really love it.
We're zooming in and out of T. Fleischmann's life in this dazzingly beautiful piece of literature, which is exactly what its title would suggest: a fragmentory reflection on what it means to have a trans body, and how it affects Fleischmann's way of existing in time, explored through a work that is part memoir, part travelogue and part essay about the artist Felix Gonzalez-Torres. Fleischmann choses to literally reject all kinds of metaphor, but they also don't feel the need to spell things out - that's why this book manages to invent an unusually poetic space where things remain just as they are, capable of carrying multiple meanings at once (queer experience being the main aspect this relates to, but not exclusively so). This is a text that is messy on purpose, that is hard to grasp and at the same perfectly precise; an ode to being complexely alive in the world.
Will man die großen amerikanischen Dramen der 50er Jahre kennenlernen, führt wohl kein Weg an Tennessee Williams vorbei. 1955 entstand Cat on a Hot Tin Roof und brachte einen Broadway Erfolg und einen weiteren Pulitzerpreis für den Autor. Wir lernen die Familie Pollitt kennen, wohlhabende Baumwollplantagenbesitzer. Zu Hauptfiguren stilisieren sich von Beginn an Maggie the Cat und Brick (der verletzte ehemalige Football-Spieler), seit Jahren verheiratet, kinderlos und schon seit einiger Zeit nicht mehr glücklich. Daneben steht das kinderreiche Paar Mae und Gooper, die versuchen Big Mama und Big Daddy zu gefallen. Der tieferliegende Konflikt wird nach und nach aus den langen Dialogen herausgeschält und überraschte beim Lesen doch stark. Manche Themen erwartet man vielleicht nicht in solch psychologisch-biographischen Stücken. Darüber hinaus fliehen die Figuren in Alkohlismus & Einsamkeit (Brick) oder finden sich auf dem heißen Blechdach wieder (Maggie), von dem es aus eigentlich nur einen Weg gibt. Das Drama entfaltet Stück für Stück die kommunikativen und gesellschaftlichen Probleme, die alle Figuren miteinander verbinden. Tennessee Williams zeichnet dabei höchst verständnisvoll zarte, sanfte Figuren, die an den scharfen Kanten der sie umgebenden Welt versehrt werden. Großartig eingesetzte Regieanweisungen unterstreichen die Stimmung des Werkes bis zum Schluss. Hier freue ich mich auf einen baldigen Theaterbesuch!
Will man die großen amerikanischen Dramen der 50er Jahre kennenlernen, führt wohl kein Weg an Tennessee Williams vorbei. 1955 entstand Cat on a Hot Tin Roof und brachte einen Broadway Erfolg und einen weiteren Pulitzerpreis für den Autor. Wir lernen die Familie Pollitt kennen, wohlhabende Baumwollplantagenbesitzer. Zu Hauptfiguren stilisieren sich von Beginn an Maggie the Cat und Brick (der verletzte ehemalige Football-Spieler), seit Jahren verheiratet, kinderlos und schon seit einiger Zeit nicht mehr glücklich. Daneben steht das kinderreiche Paar Mae und Gooper, die versuchen Big Mama und Big Daddy zu gefallen. Der tieferliegende Konflikt wird nach und nach aus den langen Dialogen herausgeschält und überraschte beim Lesen doch stark. Manche Themen erwartet man vielleicht nicht in solch psychologisch-biographischen Stücken. Darüber hinaus fliehen die Figuren in Alkohlismus & Einsamkeit (Brick) oder finden sich auf dem heißen Blechdach wieder (Maggie), von dem es aus eigentlich nur einen Weg gibt. Das Drama entfaltet Stück für Stück die kommunikativen und gesellschaftlichen Probleme, die alle Figuren miteinander verbinden. Tennessee Williams zeichnet dabei höchst verständnisvoll zarte, sanfte Figuren, die an den scharfen Kanten der sie umgebenden Welt versehrt werden. Großartig eingesetzte Regieanweisungen unterstreichen die Stimmung des Werkes bis zum Schluss. Hier freue ich mich auf einen baldigen Theaterbesuch!
It's admittedly slightly too late for this recommendation, but then again the Italian April is arguably more equal to the German May. An absolutely delightful holiday novel about four women escaping to a romantic Italian castle for some time to themselves - only to be literally spellbound by it. Read it for the lush Italian gardens and the irresistible spring airs - maby skim over some of the more dated romantic version of musical chairs.
It's admittedly slightly too late for this recommendation, but then again the Italian April is arguably more equal to the German May. An absolutely delightful holiday novel about four women escaping to a romantic Italian castle for some time to themselves - only to be literally spellbound by it. Read it for the lush Italian gardens and the irresistible spring airs - maby skim over some of the more dated romantic version of musical chairs.
Not many authors manage to be admired and thought of as somehow 'classic' with only three books under their belt but Jo Ann Beard is one of them. Her debut essay collection "Boys of My Youth" introduced her trademark style of autofictional, highly stylized and ruminative essays that centre around keen observations of beautiful quotidian lives. After having published a novel, this collection once again returns to the literary essay. Death, its reality and propensity for forcing clarity is the theme that runs through the book. The death of a beloved dog, of a friend, of oneself indeed. Beard collects beautiful details, seemingly small things and weaves an almost spiritual literary tapestry from her material. I found myself losing her sometimes but if you trust her, an astonishing hook, a breathtakingly turned sentence will always draw you back in.
After reading my collegue's review, I decided to give it a shot, being sex-related sociology amongst my fields of interest.
Ania Srinivasan deals with thorny topics which feminists have been engaging for decades with, without coming across as condescending. On the contrary, her stance on the different issues is imbued with knowledge and humbleness of not having necessarily the final answer. Her intellectual honesty is just so outstanding that - no matter if you agree with her or not - you can't help but keep the book glued to your eyes!

I hope to hear more of her publishings soon
Her way of writing is magnificent, first and foremost. The essays were very interesting and greatly researched. At the same time there was a good balance of personal experience and societal topics. Some of the themes I had already seen docs on or read something else about. Also it was quite America-Centric, which gave it some limits.
Auch wenn ich Zweigs Sprache bisweilen als etwas schwulstig und altertümlich empfinde und die Miniaturen ein gewisses Maß an Geschichtswissen voraussetzen, haben mich viele der Handlungen gepackt. Besonders Scotts dramatische Südpolexpedition war fast unerträglich spannend.
Der ganz besondere Reiz dieses Buches ist, dass es sich um wahre Begebenheiten handelt und somit Geschichte lebendig werden lässt. Als Leser lernt man unter anderem Händel, Goethe und Tolstoi privat kennen und hat das Gefühl, mit ihnen in einem Raum zu sitzen.
In Kapuscinski's strange, genre-defying work, a choir of former courtiers whispers to him about the extravagances and eventual decline of the Ethiopian monarchy. The book sits somewhere between oral history and reportage but its strange magic is wrought through the voices of the disgraced king's servants, now in hiding and only to be met through secret doors. They describe the lavish palace, the absurd rituals and the absolute power of the king that everyone had to scrape under. Their flowery language of adoration and servitude masks hidden depths of resentment and glee. It is this contradiction, as well as the observations on possibly the last absolutist monarchy, that make this book the astonishing masterpiece it is.

Author

Arka Deb is presently the Editor-in-Chief at Inscript.me. In the past, Arka has worked as Senior Journalist at CNN Network 18, Asianet News and Anandabazar Patrika. His interests also include archival projects, particularly pertaining to art, culture and social current affairs. Most recently, Arka was awarded a fellowship from the Nazrul Centre for Social and Cultural Studies (NCSCS), Kazi Nazrul
University, Asansol, India, for a project, which came to fruition in the form of this volume.

In the past, Arka has successfully authored and edited several other books. Recently, he co-authored the book "Facebook: Mukh o Mukhosh" (2021), with renowned journalists Paranjay Guha Thakurta and Cyril Sam. This collection of brief essays illustrates the present scenario of Indian politics and machineries behind the spread of misinformation and disinformation using social media, in order to
achieve personal interests at individual, social and governmental levels. His other achievements include: "Tushar" (2016; 2022), an anthology on famous Bengali poet of the 70s, Tushar Roy; "Ganika Sambad" (2020; 2022), a socio-cultural depiction of modern Bengali brothels; "Kathabarta" (2019), a collection of intriguing dialogues between maestros of the Bengali socio-cultural milieu, spanning over the last century; "Ashukhi Somoyer Brittanto" (2022), a collection of essays on socio-political
trends criticizing state apparatus. His work has been greatly appreciated by the extant Bengali
intelligentsia, as well as acclaimed by literary critics of his time.

More products from Deb, Arka