Notepad
The notepad is empty.
The basket is empty.
Free shipping possible
Free shipping possible
Please wait - the print view of the page is being prepared.
The print dialogue opens as soon as the page has been completely loaded.
If the print preview is incomplete, please close it and select "Print again".

Best Canadian Stories 2021

E-bookEPUBAdobe DRM [Hard-DRM]E-book
EUR12,99

Product description

Selected by guest editor Diane Schoemperlen, the 2021 edition of Best Canadian Stories continues not only a series, but a legacy in Canadian letters.

The best short stories, writes editor Diane Schoemperlen, are disruptive in all the best ways, diverse in all senses of the word, always looking back and leading forward at the same time ... they must be written in the world, in the midst of a pandemic, in the midst of more horrifying news every day. Submitted and published by Canadian writers in 2020, Schoemperlen´s selections for Best Canadian Stories 2021 feature work by established practitioners of the form alongside exciting newcomers, and stories published by leading magazines and journals as well as those appearing in print for the first time-all of which, as Schoemperlen writes, bring us news of the world and the shape of things to come.

Featuring work by:

Senaa Ahmad
Chris Bailey
Shashi Bhat
Megan Callahan
Francine Cunningham
Lucia Gagliese
Alice Gauntley
Don Gillmor
Angélique Lalonde
Elise Levine
Colette Maitland
Sara O´Leary
Jasmine Sealy
Joshua Wales
Joy Waller
Read more

Details

Additional ISBN/GTIN9781771964364
Product TypeE-book
BindingE-book
FormatEPUB
FormatReflowable
PublisherBiblioasis
Publishing date19/10/2021
SeriesBest Canadian
LanguageEnglish
File size2295450 Bytes
Article no.9520271
CatalogsVC
Data source no.2657388
Product groupBU562
More details

Series

Ratings

Recommendations for similar products

After reading my collegue's review, I decided to give it a shot, being sex-related sociology amongst my fields of interest.
Ania Srinivasan deals with thorny topics which feminists have been engaging for decades with, without coming across as condescending. On the contrary, her stance on the different issues is imbued with knowledge and humbleness of not having necessarily the final answer. Her intellectual honesty is just so outstanding that - no matter if you agree with her or not - you can't help but keep the book glued to your eyes!

I hope to hear more of her publishings soon
We're zooming in and out of T. Fleischmann's life in this dazzingly beautiful piece of literature, which is exactly what its title would suggest: a fragmentory reflection on what it means to have a trans body, and how it affects Fleischmann's way of existing in time, explored through a work that is part memoir, part travelogue and part essay about the artist Felix Gonzalez-Torres. Fleischmann choses to literally reject all kinds of metaphor, but they also don't feel the need to spell things out - that's why this book manages to invent an unusually poetic space where things remain just as they are, capable of carrying multiple meanings at once (queer experience being the main aspect this relates to, but not exclusively so). This is a text that is messy on purpose, that is hard to grasp and at the same perfectly precise; an ode to being complexely alive in the world.
Viola Davis impresses with intensity in cinema, for television and on stage. In 'Finding me' we accompany the actress through her childhood and to the roots of her strength.
It's a tough road full of adversity, setbacks and trauma.
Viola's powerful writing is breathtaking, relentlessly honest and full of wise insights.
I really love it.
It's admittedly slightly too late for this recommendation, but then again the Italian April is arguably more equal to the German May. An absolutely delightful holiday novel about four women escaping to a romantic Italian castle for some time to themselves - only to be literally spellbound by it. Read it for the lush Italian gardens and the irresistible spring airs - maby skim over some of the more dated romantic version of musical chairs.
It's admittedly slightly too late for this recommendation, but then again the Italian April is arguably more equal to the German May. An absolutely delightful holiday novel about four women escaping to a romantic Italian castle for some time to themselves - only to be literally spellbound by it. Read it for the lush Italian gardens and the irresistible spring airs - maby skim over some of the more dated romantic version of musical chairs.
Not many authors manage to be admired and thought of as somehow 'classic' with only three books under their belt but Jo Ann Beard is one of them. Her debut essay collection "Boys of My Youth" introduced her trademark style of autofictional, highly stylized and ruminative essays that centre around keen observations of beautiful quotidian lives. After having published a novel, this collection once again returns to the literary essay. Death, its reality and propensity for forcing clarity is the theme that runs through the book. The death of a beloved dog, of a friend, of oneself indeed. Beard collects beautiful details, seemingly small things and weaves an almost spiritual literary tapestry from her material. I found myself losing her sometimes but if you trust her, an astonishing hook, a breathtakingly turned sentence will always draw you back in.
After reading my collegue's review, I decided to give it a shot, being sex-related sociology amongst my fields of interest.
Ania Srinivasan deals with thorny topics which feminists have been engaging for decades with, without coming across as condescending. On the contrary, her stance on the different issues is imbued with knowledge and humbleness of not having necessarily the final answer. Her intellectual honesty is just so outstanding that - no matter if you agree with her or not - you can't help but keep the book glued to your eyes!

I hope to hear more of her publishings soon
Her way of writing is magnificent, first and foremost. The essays were very interesting and greatly researched. At the same time there was a good balance of personal experience and societal topics. Some of the themes I had already seen docs on or read something else about. Also it was quite America-Centric, which gave it some limits.
Auch wenn ich Zweigs Sprache bisweilen als etwas schwulstig und altertümlich empfinde und die Miniaturen ein gewisses Maß an Geschichtswissen voraussetzen, haben mich viele der Handlungen gepackt. Besonders Scotts dramatische Südpolexpedition war fast unerträglich spannend.
Der ganz besondere Reiz dieses Buches ist, dass es sich um wahre Begebenheiten handelt und somit Geschichte lebendig werden lässt. Als Leser lernt man unter anderem Händel, Goethe und Tolstoi privat kennen und hat das Gefühl, mit ihnen in einem Raum zu sitzen.
In Kapuscinski's strange, genre-defying work, a choir of former courtiers whispers to him about the extravagances and eventual decline of the Ethiopian monarchy. The book sits somewhere between oral history and reportage but its strange magic is wrought through the voices of the disgraced king's servants, now in hiding and only to be met through secret doors. They describe the lavish palace, the absurd rituals and the absolute power of the king that everyone had to scrape under. Their flowery language of adoration and servitude masks hidden depths of resentment and glee. It is this contradiction, as well as the observations on possibly the last absolutist monarchy, that make this book the astonishing masterpiece it is.

Author

Diane Schoemperlen is the author of the acclaimed novel In the Language of Love and of five short story collections including Forms of Devotion (Viking) and The Man of My Dreams, which was nominated for Canada's Governor General's Award for fiction. Her work has appeared widely in anthologies & magazines, including Ms and Story. She lives in Kingston, Ontario.

Subjects