ACHTUNG: Wartung im Hintergrund noch ca. 20 Minuten aktiv. Artikel, die zu Warenkorb/Merkliste hinzugefügt werden, sind erst nach Abschluss der Wartung sichtbar.
Merkliste
Die Merkliste ist leer.
Der Warenkorb ist leer.
Kostenloser Versand möglich
Kostenloser Versand möglich
Bitte warten - die Druckansicht der Seite wird vorbereitet.
Der Druckdialog öffnet sich, sobald die Seite vollständig geladen wurde.
Sollte die Druckvorschau unvollständig sein, bitte schliessen und "Erneut drucken" wählen.
Metaphorosis
ISBN/GTIN

Produktbeschreibung

Beautifully written speculative fiction from Metaphorosis magazine.Memories, travel, and identity. Becoming a tree, applying to college by grappling hook, and living with a monster in your heart - the best science fiction and fantasy stories from Metaphorosis magazine's eighth year.ContentsThe Conch Shell - Elizabeth RaphaelThe Excursionist of JCPenney - Chris PanatierArborify - Cadence MandyburaPain Eater - Danny MenterShe Was the Universe - Damian StockliCatching College - Maggie SlaterThe Beast-Consul - E.C. DorganVisions for the Independent City of New York - Cidney MayesAstrid Underwater - J.J. EskelinUseful and Beautiful Things - E. SaxeyA Wielder Does Not Know Regret - Katherine KarchPacking List for Oblivion - Cameron BertronNothing but the Gods On Their Backs - Alex T. SingerCover art by Carol Wellart.
Weiterlesen

Details

ISBN/GTIN978-1-64076-274-9
ProduktartBuch
EinbandKartoniert, Paperback
Erscheinungsdatum15.01.2024
Reihen-Nr.8
SpracheEnglisch
MasseBreite 133 mm, Höhe 203 mm, Dicke 17 mm
Gewicht353 g
Artikel-Nr.27983524
KatalogLibri
Datenquelle-Nr.A48377541
Weitere Details

Reihe

Bewertungen

Empfehlungen zu ähnlichen Produkten

Jane Austen is a writer ruined by TV adaptation (before you all start writing letters, I know there are good ones). Despite two centuries of inclusion in the canon, there are still many (and I am afraid they are mostly men) who dismiss her as 'frivolous', 'saccharine' or 'unserious'. This means it is only worth continuing to discuss Austen with people if they either don't use any of the aforementioned adjectives or if, by the latter, they mean, she is one of the funniest writers in English (full stop). If you don't know this already, the first page of 'Persuasion' will convince you, and then her biting, satirical commentary on Georgian society will show you that far from reverently writing about it out of admiration, she irreverently lambasts it and its eccentric snobbish hierarchy (people who write her off will probably say John Oliver likes Trump because both wear suits). If you don't believe me (and even if you do), read her (and start with 'Persuasion') before you watch her.
Jane Austen is a writer ruined by TV adaptation (before you all start writing letters, I know there are good ones). Despite two centuries of inclusion in the canon, there are still many (and I am afraid they are mostly men) who dismiss her as 'frivolous', 'saccharine' or 'unserious'. This means it is only worth continuing to discuss Austen with people if they either don't use any of the aforementioned adjectives or if, by the latter, they mean, she is one of the funniest writers in English (full stop). If you don't know this already, the first page of 'Persuasion' will convince you, and then her biting, satirical commentary on Georgian society will show you that far from reverently writing about it out of admiration, she irreverently lambasts it and its eccentric snobbish hierarchy (people who write her off will probably say John Oliver likes Trump because both wear suits). If you don't believe me (and even if you do), read her (and start with 'Persuasion') before you watch her.
Whoa. What a devastating read! A dystopia in the darkest sense of the word - without a happy ending whatsoever (that's how I interpret it at least).
A must-read classic.

You'll never think of rats the same way again!

Autor/in