Merkliste
Die Merkliste ist leer.
Der Warenkorb ist leer.
Kostenloser Versand möglich
Kostenloser Versand möglich
Bitte warten - die Druckansicht der Seite wird vorbereitet.
Der Druckdialog öffnet sich, sobald die Seite vollständig geladen wurde.
Sollte die Druckvorschau unvollständig sein, bitte schliessen und "Erneut drucken" wählen.
SOMETHING WICKED
ISBN/GTIN

SOMETHING WICKED

BuchKartoniert, Paperback
EUR23,50

Produktbeschreibung

Falling passionately in love with a mysterious, sinfully sexy man can lead to

Something Wicked

Investigative reporter Regan Cluny is in hot pursuit of a reclusive philanthropist who is financing a mysterious archaeological dig in the California desert. Attempting to convince Charles Cunningham Nash to grant her an interview has proven impossible long distance, so Regan sets off uninvited for his dig to woo him in person. Instead, she meets with deadly trouble; a biker gang corners her at a remote rest stop, sabotages her car, and leaves her for dead on a country road. Miraculously, Regan survives with only one strange memory of her attack...and the man who comes to her aid is Nash himself. Strongly attracted to her handsome protector, Regan can't know that Nash is a vampire tied to her attackers by a vicious blood feud that dates back to the Civil War - or that he has hungered for the life and soul of a mortal for nearly two centuries. With the local sheriff determined to nail Nash for the violence perpetrated by his dire enemy, Regan must decide whether the dark secrets of a lover she can't live without are something wonderful...or something wicked.
Weiterlesen

Details

ISBN/GTIN978-1-4767-4619-7
ProduktartBuch
EinbandKartoniert, Paperback
Erscheinungsdatum04.04.2016
SpracheEnglisch
MasseBreite 127 mm, Höhe 203 mm, Dicke 23 mm
Gewicht463 g
Artikel-Nr.4169265
KatalogLibri
Datenquelle-Nr.A21078589
Weitere Details

Bewertungen

Empfehlungen zu ähnlichen Produkten

Wieso?

Was mir zunächst bei diesem Buch sehr gut gefallen hat ist eindeutig das Cover. Schön verspielt räkeln sich die Blätter um das Profil eines Kopfes, und sogar noch in einer dritten Ebene innerhalb der Kopfform wird ein Schauplatz des Buchs dargestellt. Leider muss ich aber auch sagen, dass das tatsächlich mein Highlight des gesamten Buchs war: in die Story bin ich irgendwie nicht so ganz reingekommen. Klar - die entstehende Freundschaft zwischen den beiden Hauptprotagonisten ist eine besondere Beziehung, die auch schön dargestellt ist, der Rest der Geschichte ist allerdings in meinen Augen etwas... speziell. Ich kann nach dem Lesen und eigehendem Grübeln leider immernoch nicht so ganz sagen, was denn nun die Message des Buches ist, bzw. warum das Ganze? Irgendwie war alles so unklar miteinander verwoben, dass man am Ende nicht weiß, wo man steht.
Jane Austen is a writer ruined by TV adaptation (before you all start writing letters, I know there are good ones). Despite two centuries of inclusion in the canon, there are still many (and I am afraid they are mostly men) who dismiss her as 'frivolous', 'saccharine' or 'unserious'. This means it is only worth continuing to discuss Austen with people if they either don't use any of the aforementioned adjectives or if, by the latter, they mean, she is one of the funniest writers in English (full stop). If you don't know this already, the first page of 'Persuasion' will convince you, and then her biting, satirical commentary on Georgian society will show you that far from reverently writing about it out of admiration, she irreverently lambasts it and its eccentric snobbish hierarchy (people who write her off will probably say John Oliver likes Trump because both wear suits). If you don't believe me (and even if you do), read her (and start with 'Persuasion') before you watch her.
Jane Austen is a writer ruined by TV adaptation (before you all start writing letters, I know there are good ones). Despite two centuries of inclusion in the canon, there are still many (and I am afraid they are mostly men) who dismiss her as 'frivolous', 'saccharine' or 'unserious'. This means it is only worth continuing to discuss Austen with people if they either don't use any of the aforementioned adjectives or if, by the latter, they mean, she is one of the funniest writers in English (full stop). If you don't know this already, the first page of 'Persuasion' will convince you, and then her biting, satirical commentary on Georgian society will show you that far from reverently writing about it out of admiration, she irreverently lambasts it and its eccentric snobbish hierarchy (people who write her off will probably say John Oliver likes Trump because both wear suits). If you don't believe me (and even if you do), read her (and start with 'Persuasion') before you watch her.

Autor/in