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Belongings
ISBN/GTIN

Produktbeschreibung

'Just because you appear to have secrets don't mean your secrets are all that interestin'.'

A young female soldier returns from Afghanistan to a home she no longer recognises or connects with. She has proved herself in combat but her hardest battle is yet to come, as she navigates family politics, old relationships, and the memory of betrayal. From the deserts of a modern war to the battleground of a family kitchen, Morgan Lloyd Malcolm's explosive new play delves into one woman's quest for identity and a place she can call home.

Nominated for Charles Wintour Most Promising Playwright Award (Evening Standard Awards)
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Details

Weitere ISBN/GTIN9781849433334
ProduktartE-Book
EinbandE-Book
FormatEPUB
Format HinweisDRM Adobe
Erscheinungsdatum17.06.2011
Auflage1. Auflage
ReiheOberon Modern Plays
SpracheEnglisch
Artikel-Nr.5390493
KatalogVC
Datenquelle-Nr.412493
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Bewertungen

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After reading my collegue's review, I decided to give it a shot, being sex-related sociology amongst my fields of interest.
Ania Srinivasan deals with thorny topics which feminists have been engaging for decades with, without coming across as condescending. On the contrary, her stance on the different issues is imbued with knowledge and humbleness of not having necessarily the final answer. Her intellectual honesty is just so outstanding that - no matter if you agree with her or not - you can't help but keep the book glued to your eyes!

I hope to hear more of her publishings soon
We're zooming in and out of T. Fleischmann's life in this dazzingly beautiful piece of literature, which is exactly what its title would suggest: a fragmentory reflection on what it means to have a trans body, and how it affects Fleischmann's way of existing in time, explored through a work that is part memoir, part travelogue and part essay about the artist Felix Gonzalez-Torres. Fleischmann choses to literally reject all kinds of metaphor, but they also don't feel the need to spell things out - that's why this book manages to invent an unusually poetic space where things remain just as they are, capable of carrying multiple meanings at once (queer experience being the main aspect this relates to, but not exclusively so). This is a text that is messy on purpose, that is hard to grasp and at the same perfectly precise; an ode to being complexely alive in the world.
Viola Davis impresses with intensity in cinema, for television and on stage. In 'Finding me' we accompany the actress through her childhood and to the roots of her strength.
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It's admittedly slightly too late for this recommendation, but then again the Italian April is arguably more equal to the German May. An absolutely delightful holiday novel about four women escaping to a romantic Italian castle for some time to themselves - only to be literally spellbound by it. Read it for the lush Italian gardens and the irresistible spring airs - maby skim over some of the more dated romantic version of musical chairs.
It's admittedly slightly too late for this recommendation, but then again the Italian April is arguably more equal to the German May. An absolutely delightful holiday novel about four women escaping to a romantic Italian castle for some time to themselves - only to be literally spellbound by it. Read it for the lush Italian gardens and the irresistible spring airs - maby skim over some of the more dated romantic version of musical chairs.
Not many authors manage to be admired and thought of as somehow 'classic' with only three books under their belt but Jo Ann Beard is one of them. Her debut essay collection "Boys of My Youth" introduced her trademark style of autofictional, highly stylized and ruminative essays that centre around keen observations of beautiful quotidian lives. After having published a novel, this collection once again returns to the literary essay. Death, its reality and propensity for forcing clarity is the theme that runs through the book. The death of a beloved dog, of a friend, of oneself indeed. Beard collects beautiful details, seemingly small things and weaves an almost spiritual literary tapestry from her material. I found myself losing her sometimes but if you trust her, an astonishing hook, a breathtakingly turned sentence will always draw you back in.
After reading my collegue's review, I decided to give it a shot, being sex-related sociology amongst my fields of interest.
Ania Srinivasan deals with thorny topics which feminists have been engaging for decades with, without coming across as condescending. On the contrary, her stance on the different issues is imbued with knowledge and humbleness of not having necessarily the final answer. Her intellectual honesty is just so outstanding that - no matter if you agree with her or not - you can't help but keep the book glued to your eyes!

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Autor/in

Morgan Lloyd Malcolm is a playwright and screenwriter. Her play Emilia (Shakespeare's Globe, 2018) transferred to the West End the following year. Her play Belongings premiered at the Hampstead Theatre and Trafalgar Studios (2011) and was shortlisted for the Charles Wintour Most Promising Playwright Award and her play The Wasp at Hampstead Theatre also transferred to Trafalgar Studios in 2015. She has co-written several acclaimed immersive site-specific plays with Katie Lyons, produced by Look Left Look Right, including You Once Said Yes, Above and Beyond and Once Upon a Christmas. She wrote and performed comedy for several years as part of the comedy group Trippplicate. She was part of the writing team for four of the Lyric Hammersmith's pantomimes from 2009-2012 and wrote (solo) the Bolton Octagon's Christmas plays for 2013 and 2014. She has written two large community plays for the Old Vic New Voices: Platform and Epidemic. She formed Terrifying Women with Abi Zakarian, Sampira and Amanda Castro in 2021 with an aim to producing more horror in theatre. She is also working in Film and Television; her film adaptation of her play The Wasp is due out in 2023 and her TV adaptation of Josephine Hart's Damage is also due out on Netflix in 2023.