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My Promised Land

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Produktbeschreibung

NEW YORK TIMES BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW AND THE ECONOMIST

Winner of the Natan Book Award, the National Jewish Book Award, and the Anisfield-Wolf Book Award

An authoritative and deeply personal narrative history of the State of Israel, by one of the most influential journalists writing about the Middle East today

Not since Thomas L. Friedman's groundbreaking From Beirut to Jerusalem has a book captured the essence and the beating heart of the Middle East as keenly and dynamically as My Promised Land. Facing unprecedented internal and external pressures, Israel today is at a moment of existential crisis. Ari Shavit draws on interviews, historical documents, private diaries, and letters, as well as his own family's story, illuminating the pivotal moments of the Zionist century to tell a riveting narrative that is larger than the sum of its parts: both personal and national, both deeply human and of profound historical dimension.

We meet Shavit's great-grandfather, a British Zionist who in 1897 visited the Holy Land on a Thomas Cook tour and understood that it was the way of the future for his people; the idealist young farmer who bought land from his Arab neighbor in the 1920s to grow the Jaffa oranges that would create Palestine's booming economy; the visionary youth group leader who, in the 1940s, transformed Masada from the neglected ruins of an extremist sect into a powerful symbol for Zionism; the Palestinian who as a young man in 1948 was driven with his family from his home during the expulsion from Lydda; the immigrant orphans of Europe's Holocaust, who took on menial work and focused on raising their children to become the leaders of the new state; the pragmatic engineer who was instrumental in developing Israel's nuclear program in the 1960s, in the only interview he ever gave; the zealous religious Zionists who started the settler movement in the 1970s; the dot-com entrepreneurs and young men and women behind Tel-Aviv's booming club scene; and today's architects of Israel's foreign policy with Iran, whose nuclear threat looms ominously over the tiny country.

As it examines the complexities and contradictions of the Israeli condition, My Promised Land asks difficult but important questions: Why did Israel come to be? How did it come to be? Can Israel survive? Culminating with an analysis of the issues and threats that Israel is currently facing, My Promised Land uses the defining events of the past to shed new light on the present. The result is a landmark portrait of a small, vibrant country living on the edge, whose identity and presence play a crucial role in today's global political landscape.

Praise for My Promised Land

"This book will sweep you up in its narrative force and not let go of you until it is done. [Shavit's] accomplishment is so unlikely, so total . . . that it makes you believe anything is possible, even, God help us, peace in the Middle East."-Simon Schama, Financial Times

"[A] must-read book."-Thomas L. Friedman, The New York Times

"Important and powerful . . . the least tendentious book about Israel I have ever read."-Leon Wieseltier, The New York Times Book Review

"Spellbinding . . . Shavit's prophetic voice carries lessons that all sides need to hear."-The Economist

"One of the most nuanced and challenging books written on Israel in years."-The Wall Street Journal
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Weitere ISBN/GTIN9780812984644
ProduktartE-Book
EinbandE-Book
FormatEPUB
Format HinweisDRM Adobe
FormatE101
Erscheinungsdatum19.11.2013
SpracheEnglisch
Dateigrösse21714 Kbytes
IllustrationenCHAPTER-OPENING PHOTOS
Artikel-Nr.4530031
KatalogVC
Datenquelle-Nr.255129
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Auf einer Skala zwischen eins und fünf bekommt dieses Buch von mir eine glatte Zehn. - Es ist absolut faszinierend wie klug Rutger Bregman seine Argumentation aufbaut und damit einen Großteil dessen, was uns immer wieder an negativer Geisteshaltung vorgebetet wird, dekonstruiert. Dabei ist das Buch absolut lesbar geschrieben. Die radikale Botschaft motiviert gleich in zweifacher Hinsicht: Zum einen bestärkt sie uns in einer kritischen und mutigen Geisteshaltung, die wir derzeit alle gut gebrauchen können. Zum anderen spendet sie Hoffnung, dass wir unsere kleinen und großen Schützengräben verlassen und in ein neues Zeitalter übergehen können. Ein realistisches, wissenschaftliches Buch für Optimisten und solche, die es werden möchten.
Reading Obama's book, one is immediately overwhelmed by a surge of nostalgia and even some bafflement. Was it really only four years ago that America had a president whose discourse with the public could operate above the level of a tweet ALL IN CAPITAL LETTERS? And was this president adept at compromise and working with his political opponents to achieve his goals, rather than sacking his allies VIA CAPS LOCK TWEET?
Nostalgia may well be one's first impression when reading this book but it will quickly be overcome by the realisation that Obama's differences to Trump extend to his ability to build a tense and gripping narrative about the driest of subjects (to be fair I haven't read "The Art of the Deal"), and by his ability to write in beautiful (sometimes a bit too flowery) prose. This isn't a memoir full of great revelations but instead of great insight and a reminder that maybe America was great enough already. BEST PRESIDENTIAL MEMOIR EVER! AMAZING!!!
It's not always easy to praise Nobel Prize juries but in bringing Svetlana Alexievich to global attention, they have (by contrast to giving a gong to a guy with a guitar) done great service to global literature. This is her first book and not only one of the best books on World War Two I have read but also a superb advertisement for oral history as a historical and literary form. Even today, it feels fresh and somewhat revolutionary for giving a voice to the huge range of women who fought in the Red Army nearly 40 years after its first publication. What makes the narrative so compelling that it shows which Soviet narratives were widely adopted by ordinary soldiers but also clearly demonstrates this was not a perfect process. And while the horror of war is its central theme, it also shows how fighting could for some (but again not all) female Soviet soldier be emancipatory. A stunning book which is set the stone for her subsequent entirely Nobel-worthy corpus of work.
In Kapuscinski's strange, genre-defying work, a choir of former courtiers whispers to him about the extravagances and eventual decline of the Ethiopian monarchy. The book sits somewhere between oral history and reportage but its strange magic is wrought through the voices of the disgraced king's servants, now in hiding and only to be met through secret doors. They describe the lavish palace, the absurd rituals and the absolute power of the king that everyone had to scrape under. Their flowery language of adoration and servitude masks hidden depths of resentment and glee. It is this contradiction, as well as the observations on possibly the last absolutist monarchy, that make this book the astonishing masterpiece it is.
Auch wenn ich Zweigs Sprache bisweilen als etwas schwulstig und altertümlich empfinde und die Miniaturen ein gewisses Maß an Geschichtswissen voraussetzen, haben mich viele der Handlungen gepackt. Besonders Scotts dramatische Südpolexpedition war fast unerträglich spannend.
Der ganz besondere Reiz dieses Buches ist, dass es sich um wahre Begebenheiten handelt und somit Geschichte lebendig werden lässt. Als Leser lernt man unter anderem Händel, Goethe und Tolstoi privat kennen und hat das Gefühl, mit ihnen in einem Raum zu sitzen.
Uki Goni's book about Nazi criminals escaping to Argentina is not new. It has instead been republished with a foreword by Philippe Sands who claims to have devoured it in one sitting. I freely admit to being a lot less intelligent that Sands (there is a reason why he pleads cases at the International Court of Human Rights) and I write very short reviews of history books. However I am not sure I quite believe him. Goni's book is incredibly important and it is also very compelling - he carefully and forensically constructs a case which proves beyond any reasonable doubt (maybe Sands could read it so quickly because it is like reading a more exciting version of a legal case) that Argentinia was not some randomly selected point of exile for Nazis in hiding but instead was deeply complicit in not only allowing them entry but actively welcoming them. But the forensic detail can be stifling with no character being too minor for a mention. Despite this, it is a shocking and important book.
It's not always easy to praise Nobel Prize juries but in bringing Svetlana Alexievich to global attention, they have (by contrast to giving a gong to a guy with a guitar) done great service to global literature. This is her first book and not only one of the best books on World War Two I have read but also a superb advertisement for oral history as a historical and literary form. Even today, it feels fresh and somewhat revolutionary for giving a voice to the huge range of women who fought in the Red Army nearly 40 years after its first publication. What makes the narrative so compelling that it shows which Soviet narratives were widely adopted by ordinary soldiers but also clearly demonstrates this was not a perfect process. And while the horror of war is its central theme, it also shows how fighting could for some (but again not all) female Soviet soldier be emancipatory. A stunning book which is set the stone for her subsequent entirely Nobel-worthy corpus of work.
Ein großes historisches Abenteuer, wie die legendäre Arktis-Expedition, zu der 1845 die damals modernsten Schiffe ihrer Zeit, die "Erebus" und die "Terror" unter der Leitung von Sir John Franklin aufbrachen, erzählt als Graphic Novel. Kann das funktionieren? Und ob.
In diesem ersten Teil der Trilogie erzählt Kristina Gehrmann, die hierfür 2016 mit dem Deutschen Jugendliteratur Preis ausgezeichnet wurde, in nahe am Manga-Stil gezeichneten, überzeugenden Bildern vor allem vom optimistischen Aufbruch und dem ersten Überwintern im Eis. Sie gibt Einblick in Leben und Gefühlswelten einzelner Figuren, vom Heizer und Schiffsjungen bis zum Kapitän, erzählt von Ängsten, Sehnsüchten und der Abenteuerlust, die all diese Männer vereint.
Durch den Prolog, in dem selbst ahnungslosen Lesern klar wird, wie tragisch diese Reise endet, wird die Geschichte so spannend , dass wohl jeder oder jede Leser*in ab 12 nach dem Ende dieses ersten Bandes sofort den zweiten Band "Gefangen" lesen muss.

Autor/in

Ari Shavit is a leading Israeli journalist, a columnist for Haaretz, and a commentator on Israeli public television.