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Massimilla Doni
ISBN/GTIN

Product description

"Massimilla Doni" by Honore de Balzac is a fascinating novella that explores the complexities of affection, artwork, and the human spirit. Set in Venice, the narrative follows the lives of characters, the famend musician Clément de Toledano and the stunning, enigmatic Massimilla Doni. The story unfolds as Clément falls deeply in love with Massimilla, a lady whose superb splendor conceals a soul touched via tragedy. Massimilla, even though married to a rich Venetian senator, reveals solace inside the company of artists and seeks to understand the profound connection among love and suffering. Balzac weaves a tale that delves into the transformative energy of art and the spiritual dimensions of human feelings. The characters grapple with the constraints of societal norms and the pursuit of a love that transcends earthly constraints. As Clément and Massimilla navigate the intricacies in their emotions, the novella turns into a meditation at the transformative and redemptive qualities of love. "Massimilla Doni" is a poignant exploration of the human soul, mixing factors of romance, tragedy, and philosophical mirrored image. Balzac's eloquent prose and nuanced characterizations make a contribution to a undying paintings that invitations readers to ponder the profound nature of love and its ability to go beyond the boundaries of time and condition.
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Details

ISBN/GTIN978-93-6115-801-8
Product TypeBook
BindingPaperback
PublisherDouble9 Books
Publishing date02/01/2024
LanguageEnglish
SizeWidth 140 mm, Height 216 mm, Thickness 5 mm
Weight104 g
Article no.28415244
CatalogsLibri
Data source no.A48616581
Product groupBU133
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Wieso?

Was mir zunächst bei diesem Buch sehr gut gefallen hat ist eindeutig das Cover. Schön verspielt räkeln sich die Blätter um das Profil eines Kopfes, und sogar noch in einer dritten Ebene innerhalb der Kopfform wird ein Schauplatz des Buchs dargestellt. Leider muss ich aber auch sagen, dass das tatsächlich mein Highlight des gesamten Buchs war: in die Story bin ich irgendwie nicht so ganz reingekommen. Klar - die entstehende Freundschaft zwischen den beiden Hauptprotagonisten ist eine besondere Beziehung, die auch schön dargestellt ist, der Rest der Geschichte ist allerdings in meinen Augen etwas... speziell. Ich kann nach dem Lesen und eigehendem Grübeln leider immernoch nicht so ganz sagen, was denn nun die Message des Buches ist, bzw. warum das Ganze? Irgendwie war alles so unklar miteinander verwoben, dass man am Ende nicht weiß, wo man steht.
Jane Austen is a writer ruined by TV adaptation (before you all start writing letters, I know there are good ones). Despite two centuries of inclusion in the canon, there are still many (and I am afraid they are mostly men) who dismiss her as 'frivolous', 'saccharine' or 'unserious'. This means it is only worth continuing to discuss Austen with people if they either don't use any of the aforementioned adjectives or if, by the latter, they mean, she is one of the funniest writers in English (full stop). If you don't know this already, the first page of 'Persuasion' will convince you, and then her biting, satirical commentary on Georgian society will show you that far from reverently writing about it out of admiration, she irreverently lambasts it and its eccentric snobbish hierarchy (people who write her off will probably say John Oliver likes Trump because both wear suits). If you don't believe me (and even if you do), read her (and start with 'Persuasion') before you watch her.
Jane Austen is a writer ruined by TV adaptation (before you all start writing letters, I know there are good ones). Despite two centuries of inclusion in the canon, there are still many (and I am afraid they are mostly men) who dismiss her as 'frivolous', 'saccharine' or 'unserious'. This means it is only worth continuing to discuss Austen with people if they either don't use any of the aforementioned adjectives or if, by the latter, they mean, she is one of the funniest writers in English (full stop). If you don't know this already, the first page of 'Persuasion' will convince you, and then her biting, satirical commentary on Georgian society will show you that far from reverently writing about it out of admiration, she irreverently lambasts it and its eccentric snobbish hierarchy (people who write her off will probably say John Oliver likes Trump because both wear suits). If you don't believe me (and even if you do), read her (and start with 'Persuasion') before you watch her.

Author

Honoré de Balzac was a French dramatist and novelist who lived from May 20, 1799, to August 18, 1850. Most people consider the unique sequence La Comédie humaine, which offers a glimpse into post-Napoleonic French life, to be his greatest work. As one of the pioneers of realism in European literature, Balzac is recognized for his astute attention to detail and his raw portrayal of society. His characters are well known for having multiple facets; even his less prominent ones are nuanced, ethically gray, and completely human. Even inanimate objects acquire personality; Paris, which serves as the setting for a large portion of his writing, acquires human characteristics. Numerous well-known authors were affected by his work, including the novelists Émile Zola, Charles Dickens, Marcel Proust, Gustave Flaubert, and Henry James, as well as the directors Jacques Rivette and François Truffaut. Writers still find inspiration in Balzac's novels, many of which have been adapted into motion pictures. According to James, he is "really the father of us all." Honoré de Balzac was born into a family that wanted to be respected for their hard work and dedication. His father, Bernard-François Balssa, was raised in Tarn, a province in southern France, as one of eleven children of an artisan family.