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The King
ISBN/GTIN

The King

PaperbackPaperback
EUR25,00

Product description

Stephen King and the angry cars, Stephen King and the obsessive mothers, Stephen King and the fans he never wanted to have, Stephen King and the worse than failed writers, Stephen King and the very fathers with ax in hand, Stephen King and the green aliens fluorine, Stephen King and the clowns that we all hate, Stephen King and the children who know how to save themselves and move on from adulthood, Stephen King and the snowy addictions... Few authors have left written (and continue writing) a universe so vast and complex, it challenges us all. But also few writers are so poorly regarded by the cultural elite. Maybe we want that to change, or maybe it's just about laughing at the up and down. Whatever the task, in this book we have accomplices who love his work such as the writers Rodrigo Fresán, Mariana Enriquez, Edmundo Paz Soldán and Laura Fernández. This includes fiction experts such as Tony Magistrale, Grett Littmann and Katherine Allen. They tell us why Stephen King is, ultimately, The King. Here is our tribute to the king of terror.
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Details

ISBN/GTIN978-84-17800-09-3
Product TypePaperback
BindingPaperback
FormatTrade paperback (US)
PublisherBatiscafo
Publishing date02/07/2024
LanguageSpanish
SizeWidth 135 mm, Height 213 mm, Thickness 18 mm
Weight408 g
Article no.26756828
CatalogsLibri
Data source no.A44854833
Product groupBU586
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Used from many high-class musical theatre universities around the world, this book is a must-have for every musical theatre student, actor, or those who are planning to pursue a career in musical theatre. With a variety of exercises, and detailed compact units for: character development, acting through song, musical interpretation, historical context, and working in the industry - this book offers everything you have ever looked for. This guide bundles the knowledge of several acting theories, and supports you on the best possible way.
Ein visionäres, klangvolles und zudem gut verständliches Theaterstückt bringt der jungen Lorraine Hansberry im Jahre 1959 den Erfolg am Broadway, als 1. Woman of Color. Ihr wichtigstes Werk, das James Baldwin als eine der realistischsten Abbildungen einer schwarzen Familie in den USA bezeichnet hat, dreht sich rundum die Youngers. Eine fast gewöhnliche Familie, in der nun ein Check über 10,000 $ erwartet wird, an die jede:r einen materiellen oder freiheitlichen Wunsch knüpft. Alle Familienmitglieder sind denkbar unterschiedlich gesinnt, man jagt den Träumen nach, fühlt sich aber vom Leben enttäuscht, ausgelaugt und abgehängt. Die winzige Wohnung ist für 5 Personen nicht geeignet, die Generationen, Eheleute und Geschwister reiben sich aneinander auf und kommen zu keinem Kompromiss. Missverständnisse, Identitätsfragen und den Kampf gegen schwelenden Rassismus lesen wir aus allen Szenen heraus, die perfekt aufeinander abgestimmt sind. Gerade Walter Lee in seiner Verzweiflung erinnerte mich stark an Willy Loman aus "Tod eines Handlungsreisenden" von Arthur Miller, das 10 Jahre zuvor entstand. Hansberry reiht sich mühelos in die großen amerikanischen Dramatiker:innen ihrer Zeit ein.

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