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poet nr. 5

Literaturzeitschrift - Magazin des Poetenladens
BookPaperback
EUR8,80

Product description

Die Literaturzeitschrift "poet nr. 5" bietet auf knapp 200 Seiten junge Literatur - Gedichte, Geschichten und Gespräche mit Literaten, Verlegern und Lektoren.Wer neue lyrische Stimmen sucht, wer Geschichten mag, deren Sprache verführt, und wer einmal in die Seele eines Verlegers blicken möchte, darf sich über das Literaturmagazin "poet nr. 5" freuen. Der "poetenladen" wird als "literarischer Pulsgeber auf hohem Niveau" geschätzt und gehört zu den lebendigsten Labels für junge Literatur. Initiator ist Andreas Heidtmann, der in Leipzig lebt, schreibt und verlegt. Bei der Auswahl dieser Ausgabe halfen Katharina Bendixen und Walter Fabian Schmid.
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Details

ISBN/GTIN978-3-940691-05-7
Product TypeBook
BindingPaperback
PublisherPoetenladen
Publishing date18/07/2008
Edition1., Aufl.
LanguageGerman
Weight260 g
Article no.2809375
CatalogsVLB
Data source no.f864f1344f4e49d6988f89762b6b09be
Product groupBU140
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Jane Austen is a writer ruined by TV adaptation (before you all start writing letters, I know there are good ones). Despite two centuries of inclusion in the canon, there are still many (and I am afraid they are mostly men) who dismiss her as 'frivolous', 'saccharine' or 'unserious'. This means it is only worth continuing to discuss Austen with people if they either don't use any of the aforementioned adjectives or if, by the latter, they mean, she is one of the funniest writers in English (full stop). If you don't know this already, the first page of 'Persuasion' will convince you, and then her biting, satirical commentary on Georgian society will show you that far from reverently writing about it out of admiration, she irreverently lambasts it and its eccentric snobbish hierarchy (people who write her off will probably say John Oliver likes Trump because both wear suits). If you don't believe me (and even if you do), read her (and start with 'Persuasion') before you watch her.
Jane Austen is a writer ruined by TV adaptation (before you all start writing letters, I know there are good ones). Despite two centuries of inclusion in the canon, there are still many (and I am afraid they are mostly men) who dismiss her as 'frivolous', 'saccharine' or 'unserious'. This means it is only worth continuing to discuss Austen with people if they either don't use any of the aforementioned adjectives or if, by the latter, they mean, she is one of the funniest writers in English (full stop). If you don't know this already, the first page of 'Persuasion' will convince you, and then her biting, satirical commentary on Georgian society will show you that far from reverently writing about it out of admiration, she irreverently lambasts it and its eccentric snobbish hierarchy (people who write her off will probably say John Oliver likes Trump because both wear suits). If you don't believe me (and even if you do), read her (and start with 'Persuasion') before you watch her.
Whoa. What a devastating read! A dystopia in the darkest sense of the word - without a happy ending whatsoever (that's how I interpret it at least).
A must-read classic.

You'll never think of rats the same way again!

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