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Principles of Literary Criticism
ISBN/GTIN

Principles of Literary Criticism

PaperbackPaperback
EUR12,50

Product description

First published in 1924, this is a masterpiece on literary criticism. I. A. Richards argues that science and literature use two different forms of language: scientific and emotive language.

I A Richards advocates for the new criticism of psychology that makes a literary work complete to the senses and intellect of ordinary readers. He proposed that literary criticism could be precise in communicating clear and valuable meanings, by way of denotation and connotation. Richards defines value from a work as anything that satiates a deep response or desire within an individual.
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Details

ISBN/GTIN978-1-77464-511-6
Product TypePaperback
BindingPaperback
FormatTrade paperback (US)
Publishing date03/05/2023
LanguageEnglish
SizeWidth 152 mm, Height 229 mm, Thickness 18 mm
Weight449 g
Article no.26675980
CatalogsLibri
Data source no.A46917451
Product groupBU561
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Jane Austen is a writer ruined by TV adaptation (before you all start writing letters, I know there are good ones). Despite two centuries of inclusion in the canon, there are still many (and I am afraid they are mostly men) who dismiss her as 'frivolous', 'saccharine' or 'unserious'. This means it is only worth continuing to discuss Austen with people if they either don't use any of the aforementioned adjectives or if, by the latter, they mean, she is one of the funniest writers in English (full stop). If you don't know this already, the first page of 'Persuasion' will convince you, and then her biting, satirical commentary on Georgian society will show you that far from reverently writing about it out of admiration, she irreverently lambasts it and its eccentric snobbish hierarchy (people who write her off will probably say John Oliver likes Trump because both wear suits). If you don't believe me (and even if you do), read her (and start with 'Persuasion') before you watch her.

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