Marvel-Verse: Rocket & Groot

Mantlo, BillMarvel VariousBuscema, SalIllustrations

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ISBN/GTIN978-1-302-95072-9

Product TypePaperback

BindingPaperback

PublisherDisney Publishing Group

Publishing date18/04/2023

LanguageEnglish

SizeWidth 150 mm, Height 224 mm, Thickness 10 mm

Weight204 g

Article no.25797010

CatalogsLibri

Data source no.A46109845

Product groupBU180

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Was bedeutet eigentlich "Streetwork"? Die junge Künstlerin Anne Zimmermann, ausgerechnet zum ersten Corona-Lockdown neu in Berlin angekommen, wollte es genauer wissen und begleitete über mehrere Monate mehrere Streetworker:innen des Gangway e. V., der seit 30 Jahren auf den Straßen Berlins unterwegs ist und dort "Straßensozialarbeit" vor allem mit Jugendlichen macht. Ihre daraus entstandene Graphic Novel enthält Geschichten und Anekdoten aus dem Arbeitsalltag der Held:innen der Straße. Der berührende, oft auch überraschend humorvolle, aber immer authentische Band eignet sich nicht nur hervorragend für junge Menschen, die überlegen, die Jugend- und Straßensozialarbeit zu ihrem Beruf zu machen, auch wer zum Beispiel schon immer wissen möchte, wer sich etwa um die Obdachlosen in unserer Stadt kümmert, erfährt hier einiges.

Der mehr als wunderbare Finalband, dieser ausgereiften, erwachsenen "Yuri"-Reihe. <3 Ich freute mich sehr, dass die Bände nach und nach vermuten ließen, dass die Beziehung bzw. Verbindung der beiden Frauen in Richtung Aromantik/Asexualität (in unterschiedlichen Graden) gefestigt wird. Die Nebenfiguren sind sehr wertschätzend und unterstützend, man möchte eigentlich mit allen gemeinsam eine große Packung Donuts verköstigen und dabei über die Anforderungen und Freuden des Erwachsenenlebens plaudern. Egal, was die Mangaka noch herausbringt, sie wird in mir wieder eine begeisterte Leserin finden!

Dass nach Shio Usuis "Doughnuts under a Crescent Moon"-Reihe eine neue Girls Love Reihe der Mangaka auf mich warten würde, habe ich doch sehnlichst erhofft. In ihrem neusten Werk begleiten wir zwei Frauen, die beschließen, einander zu heiraten, wenn sie nach 5 Jahren immer noch Single sind. Die Zeit ist herum und beide erinnern sich an das Versprechen und der Manga nimmt uns mit in das Alltagsleben einer Journalistin und einer Köchin, die eigentlich kaum unterschiedlicher sein könnten. Beide versuchen mit der Situation locker umzugehen, doch das Umfeld schaut ganz besonders auf diese "Freundinnen-Ehe", die vermutlich für einige kuriose Blicke und Gedanken sorgt. Zudem schreibt Kurumi in ihrer neusten Kolumne ganz öffentlich darüber. Als Lesende bemerken wir von Anfang an, dass Ruriko bereits zarte Gefühle für Kurumi entwickelt hat. Ich bin den beiden so gern gefolgt und wünsche mir für ihre Geschichte noch sehr viel Zeit. Der absolute Cuteness-Overload dieses Bandes speist sich eigentlich komplett aus der liebevollen Interaktion der beiden, die füreinander da sein wollen und sich umeinander kümmern.

Do you remember a time before the corona crisis? For Brits (and lots of other Europeans) that too was an era defined by crisis, thanks to the ups and downs of almost half a decade of Brexit discussions.

Jonathan Coe's novel begins at the very beginning of the 2010s when Brexit was barely imaginable and follows the lives of a group of characters from across Britain's many middle classes during the turmoil-there's plenty of that in their private lives too.

Coe is a remainer and it shows but he understands and can even sympathise with his political opponents and this is a pretty fair depiction of England's division. More importantly than that though, it is hysterically funny - I literally lol-ed more than once while reading it (not least during the most awkward sex scene I have ever had the (dis)pleasure of encountering).

A novel for those who seek the solace of other crises in difficult times or for Germans who want reminding that others this side of the Atlantic have it worse.

A classic I ran across on my neverending to-read pile and finished within a few hours. The simple writing style made it enjoyable and easy to read, even if it was first published in 1900 and the language is somewhat rigid. It becoming a classic is well deserved - though I must say I'm not interested in the volumes that follow after this first one.

Author

Mantlo, BillMarvel VariousBuscema, SalIllustrations

Skottie Young has worked in both comics and animation for Warner Bros., Universal, Spike TV, Mattel, Fisher Price, Marvel, Dark Horse, Image and more. His distinctively stylized artwork graced runs on Human Torch, Venom, Spider-Man: Legend of the Spider-Clan and a revamp of New Warriors. He also drew the X-Men/Runaways team-up for Free Comic Book Day 2006 and a run of New X-Men. Young won acclaim from fans and critics alike with Marvel's series of New York Times-bestselling and Eisner Award-winning adaptations of L. Frank Baum's Oz novels with writer Eric Shanower. His Young Marvel variant covers became a sensation, leading to their own Secret Wars limited series, Giant-Size Little Marvel: AVX. Also a flourishing writer, Young brought his flair for madcap antics delivered in his trademark kinetic style to Marvel's Rocket Raccoon and Deadpool, as well as acclaimed creator-owned series I Hate Fairyland, Middlewest and The Me You Love In The Dark. He lives in Kansas with his wife, two sons, and two dogs.

Jeff Loveness is an Emmy Award-nominated writer whose work includes Jimmy Kimmel Live, The Onion News Network, Marvel comics and hastily made YouTube videos with friends. His comic-book credits include Death of Wolverine: Life After Logan, A+X, the Amazing Spider-Man/Inhumans/All-New Captain America crossover "Inhuman Error" and the first Groot solo series.

Jeff Parker began his career as a comic artist and Hollywood storyboard artist. In 2003, he self-published the acclaimed graphic novel The Interman and began writing regularly, notably launching Marvel Adventures: The Avengers. Though the series was aimed at younger readers, Parker's use of offbeat characters such as MODOK and Ego the Living Planet quickly developed a vocal and passionate following among all ages. Parker next revived a classic group of 1950s-era Marvel characters in Agents of Atlas, which quickly became the sleeper hit of 2006. Parker is one of Marvel's most prolific writers; his credits also include X-Men: First Class and Thunderbolts.

Brian Kesinger is an award-winning story artist at Walt Disney Animation Studios. His 19-year career at Disney has spanned both hand-drawn and CG-animated films from Tarzan to Big Hero 6. In addition to his film work, he is the celebrated author and illustrator of a series of Octo-Victorian picture books that showcase his style, wit and ability to tell engaging stories in original ways. His artistic journey has lead him to find an additional home with Marvel Comics where he blends his animation background with the sequential story format of comic books to create dazzling and expressive adventures.

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Graphic Novels