Notepad
The notepad is empty.
The basket is empty.
Free shipping possible
Free shipping possible
Please wait - the print view of the page is being prepared.
The print dialogue opens as soon as the page has been completely loaded.
If the print preview is incomplete, please close it and select "Print again".
Tracing Expression in Merleau-Ponty: Aesthetics, Philosophy of Biology, and Ontology
ISBN/GTIN

Tracing Expression in Merleau-Ponty: Aesthetics, Philosophy of Biology, and Ontology

PaperbackPaperback
EUR25,00

Product description

Addresses the guiding yet neglected theme of expression in Merleau-Ponty's thought. This traces Merleau-Ponty's ideas about how individuals express creative or artistic impulses through his three essays on aesthetics, his engagement with animality and the "new biology in the second of his lecture courses on nature of 1957-58, and in his late ontology, articulated in 1964 in the fragmentary text of Le visible et l'invisible (The Visible and the Invisible).
Read more

Details

ISBN/GTIN978-0-8101-2900-9
Product TypePaperback
BindingPaperback
Publishing date31/05/2013
SeriesStudies in Phenomenology and E
LanguageEnglish
SizeWidth 152 mm, Height 225 mm, Thickness 15 mm
Weight288 g
Article no.16070356
CatalogsLibri
Data source no.A20595547
Product groupBU526
More details

Series

Ratings

Recommendations for similar products

Der amerikanische Philosoph Jonathan Lear wirft in seinem bereits 2006 im Original erschienenen Buch die Frage auf, "Wie weiterleben, wenn alles zusammenbricht?". Grundlage für seine Untersuchung ist die Geschichte des Stammes der Crow im Angesicht ihrer kulturellen Zerstörung. Was bedeutet es im Angesicht des eigenen Existenzverlustes, die Hoffnung zu bewahren. Ein wichtiges Buch!

Author

VÉRONIQUE M. FÓTI is a professor of philosophy at the Pennsylvania State University. She is the author of Epochal Discordance: Hölderlin's Philosophy of Tragedy (2006), Vision's Invisibles: Philosophical Explorations (2003), and Heidegger and the Poets: Poisis, Sophia, Techn (1995), and the editor of Merleau-Ponty: Difference, Materiality, Painting (1996). She is also a painter and an affiliate artist at the Bellefonte Museum for Centre County in Pennsylvania.

Subjects