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Agog! Fantastic Fiction
ISBN/GTIN

Agog! Fantastic Fiction

BookPaperback
EUR20,50

Product description

Twenty-nine new tales of fantasy, imagination and wonder, edited by Cat Sparks, including contributions by Michael Barry, Deborah Biancotti, Leigh Blackmore, Damien Broderick, Simon Brown, David Carroll, Marianne de Pierres, Terry Dowling, Brendan Duffy, Dirk Flinthart, Paul Haines, Richard Harland, Robert Hood, Trent Jamieson, Rick Kennett, Geoffrey Maloney, Claire McKenna, Chuck Mckenzie, Chris Mowbray, Kate Orman, Ben Peek, Robin Pen, Tony Plank, Tansy Rayner Roberts, Tracey Rolfe, Keith Stevenson, Jessica Vivien, and Kyla Ward.
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Details

ISBN/GTIN978-0-8095-5630-4
Product TypeBook
BindingPaperback
PublisherAgog! Press
Publishing date01/04/2006
LanguageEnglish
SizeWidth 140 mm, Height 216 mm, Thickness 19 mm
Weight453 g
Article no.12219438
CatalogsLibri
Data source no.A4462977
Product groupBU140
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Jane Austen is a writer ruined by TV adaptation (before you all start writing letters, I know there are good ones). Despite two centuries of inclusion in the canon, there are still many (and I am afraid they are mostly men) who dismiss her as 'frivolous', 'saccharine' or 'unserious'. This means it is only worth continuing to discuss Austen with people if they either don't use any of the aforementioned adjectives or if, by the latter, they mean, she is one of the funniest writers in English (full stop). If you don't know this already, the first page of 'Persuasion' will convince you, and then her biting, satirical commentary on Georgian society will show you that far from reverently writing about it out of admiration, she irreverently lambasts it and its eccentric snobbish hierarchy (people who write her off will probably say John Oliver likes Trump because both wear suits). If you don't believe me (and even if you do), read her (and start with 'Persuasion') before you watch her.
Jane Austen is a writer ruined by TV adaptation (before you all start writing letters, I know there are good ones). Despite two centuries of inclusion in the canon, there are still many (and I am afraid they are mostly men) who dismiss her as 'frivolous', 'saccharine' or 'unserious'. This means it is only worth continuing to discuss Austen with people if they either don't use any of the aforementioned adjectives or if, by the latter, they mean, she is one of the funniest writers in English (full stop). If you don't know this already, the first page of 'Persuasion' will convince you, and then her biting, satirical commentary on Georgian society will show you that far from reverently writing about it out of admiration, she irreverently lambasts it and its eccentric snobbish hierarchy (people who write her off will probably say John Oliver likes Trump because both wear suits). If you don't believe me (and even if you do), read her (and start with 'Persuasion') before you watch her.
Whoa. What a devastating read! A dystopia in the darkest sense of the word - without a happy ending whatsoever (that's how I interpret it at least).
A must-read classic.

You'll never think of rats the same way again!

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