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Publishing as a Vocation

Studies of an Old Occupation in a New Technological Era
E-bookPDFAdobe DRM [Hard-DRM]E-book
EUR67,99

Product description

The linkage of politics and technology is now the driving momentum in communication. Publishers are now part of the astonishing transformation of the slow to the instant. From twitters to bloggers, the communication of ideas can now be accomplished in a matter of minutes, not weeks, months, or even years.Horowitz believes that at its best, information technology can be harnessed to facilitate the expression of democratic thought. In providing better access to production and technology, there is great hope to liberate humankind from ignorance and ideology-and imagination is what the purpose of publishing is and always will be about. If politics is the art of the possible, then technology can be harnessed to the higher art of transforming scientific principles into everyday practices.Publishing as a Vocation places publishing in America in its political and commercial setting. It addresses the political implications of scholarly communication in the era of new computerized technology. Horowitz examines problems of political theory in the context of property rights versus the presumed right to know, and the special strains involved in publishing as commerce versus information as a public trust. Offering a knowledgeable and insightful view of publishing in America and abroad, this book makes an important contribution to the study of mass culture in advanced societies.
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Details

Additional ISBN/GTIN9781412844000
Product TypeE-book
BindingE-book
FormatPDF
FormatReflowable
Publishing date31/12/2011
LanguageEnglish
File size854893 Bytes
Article no.11071427
CatalogsVC
Data source no.3639951
Product groupBU560
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Erschienen in der wunderbaren Reihe "Die fröhliche Wissenschaft", in der es noch viele weitere erhellende Essays zu entdecken gilt.
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Jane Austen is a writer ruined by TV adaptation (before you all start writing letters, I know there are good ones). Despite two centuries of inclusion in the canon, there are still many (and I am afraid they are mostly men) who dismiss her as 'frivolous', 'saccharine' or 'unserious'. This means it is only worth continuing to discuss Austen with people if they either don't use any of the aforementioned adjectives or if, by the latter, they mean, she is one of the funniest writers in English (full stop). If you don't know this already, the first page of 'Persuasion' will convince you, and then her biting, satirical commentary on Georgian society will show you that far from reverently writing about it out of admiration, she irreverently lambasts it and its eccentric snobbish hierarchy (people who write her off will probably say John Oliver likes Trump because both wear suits). If you don't believe me (and even if you do), read her (and start with 'Persuasion') before you watch her.

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