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It Came from the Closet

Queer Reflections on Horror
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E-bookEPUBAdobe DRM [Hard-DRM]E-book
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Product description

Through the lens of horror-from Halloween to Hereditary-queer and trans writers consider the films that deepened, amplified, and illuminated their own experiences.

Horror movies hold a complicated space in the hearts of the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. Common tropes-such as the circumspect and resilient final girl, body possession, costumed villains, secret identities, and things that lurk in the closet-spark moments of eerie familiarity and affective connection. Still, viewers often remain tasked with reading themselves into beloved films, seeking out characters and set pieces that speak to, mirror, and parallel the unique ways queerness encounters the world.

It Came from the Closet features twenty-five essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on Jennifer´s Body, Jude Ellison S. Doyle on In My Skin, Addie Tsai on Dead Ringers, and many more, these conversations convey the rich reciprocity between queerness and horror.
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Details

Additional ISBN/GTIN9781952177682
Product TypeE-book
BindingE-book
FormatEPUB
FormatReflowable
Publication townNew York City
Publishing date04/10/2022
LanguageEnglish
File size14583301 Bytes
Article no.10534008
CatalogsVC
Data source no.3245436
Product groupBU586
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Recommendations for similar products

Absolutly emotional!
This book took me through ups and downs. I found myself shaking my head a few times, then take a deep breath and go on reading.

This is not a shitstorm book that is intended to spread rumors. I think Britney talks very reflectively about how she experienced everything back then and how she felt about it.

I can recommend this book to everyone. It doesn't matter if you're a Britney fan or not. Because her story is one that should be heard and read!
As far as book titles are concerned, Jennette McCurdy's memoir surely has one of the most provocative ones. When the actress rose to fame through the Nickelodeon shows iCarly and Sam & Cat, nobody could have imagined the turmoil behind the scenes - her family's financial insecurity, a very strict upbringing, dehumanizing auditions, emotional abuse from her mother, and immense pressure from the show's producer. How do you undo a lifetime of manipulation, and destructive coping mechanisms, and land to stand on your own feet? In I'm Glad My Mom Died, she delves deep into these uncomfortable topics with refreshing frankness and surprisingly dark humor. Every chapter closes with a metaphorical gut punch that makes putting the book down nearly impossible. An infuriating, yet highly captivating read and one of the best memoirs to come out of 2022.
Was für ein Buch!
Es liest sich einfach so weg, hat mir wahnsinnig viel Lust auf's Weiter- und Wiederentdecken der Musik mit dem eigentlich so irreführenden Begriff Krautrock gemacht und erklärt nachvollziehbar, warum diese innovativen, neuen Klänge so nur in Deutschland entstehen konnten.

Christoph Dallach hat unzählige Interviews mit nahezu allen Musiker:innen aus dem Inneren der Szene geführt und deren O-Töne zu einer großartigen Collage montiert, die sich in verschiedenen Kapiteln nicht nur mit den bekanntesten Bands und Künstler:innen, sondern auch mit deren Elternhäusern, der deutschen Nachkriegsgesellschaft, WGs, Jazz, Drogen, Reisen und der allgemeinen Musiklandschaft auseinandersetzt. Das Ergebnis ist nicht nur für Musikinteressierte extrem spannend, sondern auch von hoher kultur-und zeitgeschichtlicher Relevanz.
Fantastisch.
Used from many high-class musical theatre universities around the world, this book is a must-have for every musical theatre student, actor, or those who are planning to pursue a career in musical theatre. With a variety of exercises, and detailed compact units for: character development, acting through song, musical interpretation, historical context, and working in the industry - this book offers everything you have ever looked for. This guide bundles the knowledge of several acting theories, and supports you on the best possible way.
Used from many high-class musical theatre universities around the world, this book is a must-have for every musical theatre student, actor, or those who are planning to pursue a career in musical theatre. With a variety of exercises, and detailed compact units for: character development, acting through song, musical interpretation, historical context, and working in the industry - this book offers everything you have ever looked for. This guide bundles the knowledge of several acting theories, and supports you on the best possible way.
Er ist einer der größten Stars Hollywoods, Rapper, Kino-Held und der "Prinz von Bel-Air". Doch der Strahlemann hatte immer mit ganz eigenen Problemen und Widrigkeiten zu kämpfen: Selbstkritisch und reflektiert führt Will Smith in "Will" durch sein Leben und lässt dabei auch seine Schwächen, Zweifel, Fehler, Macken nicht aus. Ein erfrischendes, fesselndes Buch, das beeindruckend den Menschen hinter der Promi-Fassade zeigt.
Whoa. What a devastating read! A dystopia in the darkest sense of the word - without a happy ending whatsoever (that's how I interpret it at least).
A must-read classic.

You'll never think of rats the same way again!

Author

Joe Vallese is coeditor of the anthology What´s Your Exit? A Literary Detour Through New Jersey. His creative and pop culture writing appears in Bomb, VICE, Backstage, PopMatters, Southeast Review, North American Review, Narrative Northeast, VIA: Voices in Italian-Americana, among others. He has been a Pushcart Prize nominee and a notable in Best American Essays for his essay Blood, Brothers. He is currently clinical associate professor in the Expository Writing Program at New York University, and previously served as site director and faculty for the Bard Prison Initiative. Joe holds an MFA New York University, and MAT and BA degrees from Bard College.

Carmen Maria Machado is the author of the short story collection Her Body and Other Parties, which was a finalist for the National Book Award, and the bestselling memoir In the Dream House. She is a Guggenheim Fellow and the Abrams Artist-in-Residence at the University of Pennsylvania.

Bruce Owens Grimm is a Pushcart-nominated, queer ghost-nerd based in Chicago. He is a coeditor of Fat and Queer: An Anthology of Queer and Trans Bodies and Lives. His essays and reviews have appeared in The Rumpus, Brevity´s Nonfiction Blog, Sweet: A Literary Confection, Entropy, AWP´s Writer´s Notebook, and elsewhere. He attended the 2021 Tin House Winter Workshop as well as residencies and workshops at The Fine Arts Work Center in Provincetown, Vermont Studio Center, and the Virginia Center for the Creative Arts (VCCA) among others.

Zefyr Lisowski is a trans and queer writer, artist, three-time Pushcart nominee, and North Carolinian currently living in New York City. She is the author of Blood Box, winner of the Black River Editor's Choice Award, and the microchap Wolf Inventory. She is the poetry coeditor for Apogee and was a 2019 Tin House Summer Workshop Fellow. Lisowski's work has appeared in Literary Hub, Nat. Brut., Muzzle Magazine, and DIAGRAM, among others. She has received support from Sundress Academy for the Arts, McGill University, the New York Live Ideas Fest, the Blue Mountain Center for the Arts, and the 2019 CUNY Graduate Center Adjunct Incubator Grant.

Richard Scott Larson earned his MFA from New York University, and he is the recent recipient of fellowships from MacDowell and the New York Foundation for the Arts. His creative and critical work has appeared in the Los Angeles Review of Books, Chicago Review of Books, Harvard Review, Colorado Review, Electric Literature, and elsewhere. His writing has also been listed as notable in The Best American Essays, and he is an active member of the National Book Critics Circle.

Sarah Fonseca is a self-taught writer from the Georgia foothills who lives in New York City. Her fiction and cinema writing have appeared in Bosie, Evergreen Review, Leste Magazine, the Los Angeles Review of Books, Museum of the Moving Image´s Reverse Shot, and others. She is a coeditor of The New Lesbian Pulp (Feminist Press 2023).

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