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Schleswig-Holstein. Literaturland im Norden

Von Achterwehr bis Wrist, von Andersen bis Zaimoglu
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EUR22,00

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100 Autorinnen und Autoren, 100 Orte: Die Literatur in Schleswig-Holstein ist mehr als "meerumschlungen". Vielmehr ist das "Brückenland" Schleswig-Holstein kulturell geprägt vor allem von den beiden Polen am nördlichen und am südlichen Rand - von Kopenhagen und von Hamburg. Über Jahrhunderte gaben Dänemark und Hamburg den kulturellen Takt im Lande vor - mit kleineren Melodien aus Gottorf, Eutin oder Emkendorf. Kultur in Schleswig-Holstein zeichnet sich als "randständig" aus, und gerade das macht sie besonders reizvoll. Das gilt insbesondere für die reiche Literatur, die hier im Norden entstanden ist. Die beiden Herausgeber legen hier ein Lesebuch vor, mit vielen eigenen Stimmen des Nordens von der Frühen Neuzeit bis in die unmittelbare Gegenwart. Gibt es denn eine "schleswig-holsteinische Literatur"? Oder doch eher eine Literatur aus Schleswig-Holstein? Oder vielleicht eher eine ansehnliche Literatur in Schleswig-Holstein? Olaf Irlenkäuser und Martin Lätzel entwerfen mit diesem Buch eine Topographie der Literatur im Norden vom Anfang bis zur unmittelbaren Gegenwart - durchaus auch jenseits von Theodor Storm und Klaus Groth. Was macht den "Raum der Literatur", die "Literatur im Raum" aus? Gibt es Verbindendes über die Zeiten hinweg? Gibt es Typisches? Gibt es Besonderes, was die Literatur Schleswig-Holsteins von derjenigen der anderen Regionen Deutschlands unterscheidet? Eines ist gewiss: Dieses Lesebuch vermittelt den bisher umfassendsten Einblick in das "Literaturland Schleswig-Holstein".
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Details

ISBN/GTIN978-3-529-05068-8
ProduktartBuch
EinbandGebunden
VerlagWachholtz
ErscheinungslandDeutschland
Erscheinungsdatum17.12.2021
Auflage1. Auflage
Seiten208 Seiten
SpracheDeutsch
Artikel-Nr.20211642
KatalogVLB
Datenquelle-Nr.38c3aadb8d134a158293e431c058551d
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Whoa. What a devastating read! A dystopia in the darkest sense of the word - without a happy ending whatsoever (that's how I interpret it at least).
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You'll never think of rats the same way again!
Whoa. What a devastating read! A dystopia in the darkest sense of the word - without a happy ending whatsoever (that's how I interpret it at least).
A must-read classic.

You'll never think of rats the same way again!
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Jane Austen is a writer ruined by TV adaptation (before you all start writing letters, I know there are good ones). Despite two centuries of inclusion in the canon, there are still many (and I am afraid they are mostly men) who dismiss her as 'frivolous', 'saccharine' or 'unserious'. This means it is only worth continuing to discuss Austen with people if they either don't use any of the aforementioned adjectives or if, by the latter, they mean, she is one of the funniest writers in English (full stop). If you don't know this already, the first page of 'Persuasion' will convince you, and then her biting, satirical commentary on Georgian society will show you that far from reverently writing about it out of admiration, she irreverently lambasts it and its eccentric snobbish hierarchy (people who write her off will probably say John Oliver likes Trump because both wear suits). If you don't believe me (and even if you do), read her (and start with 'Persuasion') before you watch her.
Jane Austen is a writer ruined by TV adaptation (before you all start writing letters, I know there are good ones). Despite two centuries of inclusion in the canon, there are still many (and I am afraid they are mostly men) who dismiss her as 'frivolous', 'saccharine' or 'unserious'. This means it is only worth continuing to discuss Austen with people if they either don't use any of the aforementioned adjectives or if, by the latter, they mean, she is one of the funniest writers in English (full stop). If you don't know this already, the first page of 'Persuasion' will convince you, and then her biting, satirical commentary on Georgian society will show you that far from reverently writing about it out of admiration, she irreverently lambasts it and its eccentric snobbish hierarchy (people who write her off will probably say John Oliver likes Trump because both wear suits). If you don't believe me (and even if you do), read her (and start with 'Persuasion') before you watch her.
Jane Austen is a writer ruined by TV adaptation (before you all start writing letters, I know there are good ones). Despite two centuries of inclusion in the canon, there are still many (and I am afraid they are mostly men) who dismiss her as 'frivolous', 'saccharine' or 'unserious'. This means it is only worth continuing to discuss Austen with people if they either don't use any of the aforementioned adjectives or if, by the latter, they mean, she is one of the funniest writers in English (full stop). If you don't know this already, the first page of 'Persuasion' will convince you, and then her biting, satirical commentary on Georgian society will show you that far from reverently writing about it out of admiration, she irreverently lambasts it and its eccentric snobbish hierarchy (people who write her off will probably say John Oliver likes Trump because both wear suits). If you don't believe me (and even if you do), read her (and start with 'Persuasion') before you watch her.
Jane Austen is a writer ruined by TV adaptation (before you all start writing letters, I know there are good ones). Despite two centuries of inclusion in the canon, there are still many (and I am afraid they are mostly men) who dismiss her as 'frivolous', 'saccharine' or 'unserious'. This means it is only worth continuing to discuss Austen with people if they either don't use any of the aforementioned adjectives or if, by the latter, they mean, she is one of the funniest writers in English (full stop). If you don't know this already, the first page of 'Persuasion' will convince you, and then her biting, satirical commentary on Georgian society will show you that far from reverently writing about it out of admiration, she irreverently lambasts it and its eccentric snobbish hierarchy (people who write her off will probably say John Oliver likes Trump because both wear suits). If you don't believe me (and even if you do), read her (and start with 'Persuasion') before you watch her.
Jane Austen is a writer ruined by TV adaptation (before you all start writing letters, I know there are good ones). Despite two centuries of inclusion in the canon, there are still many (and I am afraid they are mostly men) who dismiss her as 'frivolous', 'saccharine' or 'unserious'. This means it is only worth continuing to discuss Austen with people if they either don't use any of the aforementioned adjectives or if, by the latter, they mean, she is one of the funniest writers in English (full stop). If you don't know this already, the first page of 'Persuasion' will convince you, and then her biting, satirical commentary on Georgian society will show you that far from reverently writing about it out of admiration, she irreverently lambasts it and its eccentric snobbish hierarchy (people who write her off will probably say John Oliver likes Trump because both wear suits). If you don't believe me (and even if you do), read her (and start with 'Persuasion') before you watch her.
Jane Austen is a writer ruined by TV adaptation (before you all start writing letters, I know there are good ones). Despite two centuries of inclusion in the canon, there are still many (and I am afraid they are mostly men) who dismiss her as 'frivolous', 'saccharine' or 'unserious'. This means it is only worth continuing to discuss Austen with people if they either don't use any of the aforementioned adjectives or if, by the latter, they mean, she is one of the funniest writers in English (full stop). If you don't know this already, the first page of 'Persuasion' will convince you, and then her biting, satirical commentary on Georgian society will show you that far from reverently writing about it out of admiration, she irreverently lambasts it and its eccentric snobbish hierarchy (people who write her off will probably say John Oliver likes Trump because both wear suits). If you don't believe me (and even if you do), read her (and start with 'Persuasion') before you watch her.
Jane Austen is a writer ruined by TV adaptation (before you all start writing letters, I know there are good ones). Despite two centuries of inclusion in the canon, there are still many (and I am afraid they are mostly men) who dismiss her as 'frivolous', 'saccharine' or 'unserious'. This means it is only worth continuing to discuss Austen with people if they either don't use any of the aforementioned adjectives or if, by the latter, they mean, she is one of the funniest writers in English (full stop). If you don't know this already, the first page of 'Persuasion' will convince you, and then her biting, satirical commentary on Georgian society will show you that far from reverently writing about it out of admiration, she irreverently lambasts it and its eccentric snobbish hierarchy (people who write her off will probably say John Oliver likes Trump because both wear suits). If you don't believe me (and even if you do), read her (and start with 'Persuasion') before you watch her.
Jane Austen is a writer ruined by TV adaptation (before you all start writing letters, I know there are good ones). Despite two centuries of inclusion in the canon, there are still many (and I am afraid they are mostly men) who dismiss her as 'frivolous', 'saccharine' or 'unserious'. This means it is only worth continuing to discuss Austen with people if they either don't use any of the aforementioned adjectives or if, by the latter, they mean, she is one of the funniest writers in English (full stop). If you don't know this already, the first page of 'Persuasion' will convince you, and then her biting, satirical commentary on Georgian society will show you that far from reverently writing about it out of admiration, she irreverently lambasts it and its eccentric snobbish hierarchy (people who write her off will probably say John Oliver likes Trump because both wear suits). If you don't believe me (and even if you do), read her (and start with 'Persuasion') before you watch her.
It's admittedly slightly too late for this recommendation, but then again the Italian April is arguably more equal to the German May. An absolutely delightful holiday novel about four women escaping to a romantic Italian castle for some time to themselves - only to be literally spellbound by it. Read it for the lush Italian gardens and the irresistible spring airs - maby skim over some of the more dated romantic version of musical chairs.
It's admittedly slightly too late for this recommendation, but then again the Italian April is arguably more equal to the German May. An absolutely delightful holiday novel about four women escaping to a romantic Italian castle for some time to themselves - only to be literally spellbound by it. Read it for the lush Italian gardens and the irresistible spring airs - maby skim over some of the more dated romantic version of musical chairs.
A classic I ran across on my neverending to-read pile and finished within a few hours. The simple writing style made it enjoyable and easy to read, even if it was first published in 1900 and the language is somewhat rigid. It becoming a classic is well deserved - though I must say I'm not interested in the volumes that follow after this first one.

Autor/in

Lätzel, MartinMartin Lätzel, geboren 1970, studierte nach dem Abitur an der Ruhr-Universität Bochum. Seit 1996 in Kiel ansässig. Nach einer Tätigkeit beim katholischen Erzbistum Hamburg Verbandsdirektor des Landesverbandes der Volkshochschulen Schleswig-Holstein, stellvertretender Abteilungsleiter der Kulturabteilung des Landes Schleswig-Holstein, seit 2019 Direktor der Schleswig-Holsteinischen Landesbibliothek. Honorarprofessor an der Fachhochschule Kiel.Irlenkäuser, OlafOlaf Irlenkäuser, geboren 1966, wurde nach dem Abitur zunächst Sortimentsbuchhändler. Nach dem Studium der Slavistik, Germanistik und Osteuropäischen Geschichte schlug er eine Verlagslaufbahn ein. Nach einigen Stationen in literarischen Lektoraten deutscher Verlage sowie als freier Autor ist er seit 2012 Geschäftsführer des Wachholtz Verlages, Kiel/Hamburg. Er war und ist Juror bei mehreren literarischen Preisen.

Schlagworte