Merkliste
Die Merkliste ist leer.
Der Warenkorb ist leer.
Kostenloser Versand möglich
Kostenloser Versand möglich
Bitte warten - die Druckansicht der Seite wird vorbereitet.
Der Druckdialog öffnet sich, sobald die Seite vollständig geladen wurde.
Sollte die Druckvorschau unvollständig sein, bitte schliessen und "Erneut drucken" wählen.

poet (mag) 3

Das Magazin des Poetenladens
BuchKartoniert, Paperback
EUR8,80

Produktbeschreibung

Keine Frage: Das Heft beginnt eindringlich wie kaum ein anderes: Friederike Mayröcker schickte ein Gedicht, das uns als Auftakt diente. Mit Jan Wagner, Christian Schloyer, Sylvia Geist, Björn Kuhligk und Monika Rinck folgen wichtige Autoren der jungen und mittleren Generation. Debütierende Autoren und bekannte Literaten bestimmen den Prosateil: Mirko Bonné, Hans-Ulrich Treichel, Marcus Jensen und Martina Hefter sind mit Prosa vertreten. Im Gesprächsteil äußert sich Michael Braun zur Situation der Lyrik. Und Katrin Marie Merten hat pointierte Aussagen von Independent-Verlegern gesammelt: Was braucht ein Text, um gut zu sein?
Weiterlesen

Details

ISBN/GTIN978-3-00-021141-6
ProduktartBuch
EinbandKartoniert, Paperback
Erscheinungsdatum15.06.2007
SpracheDeutsch
Gewicht300 g
Artikel-Nr.1720487
KatalogVLB
Datenquelle-Nr.62c9c2a2604b470cbc95f035763f6e8b
Weitere Details

Bewertungen

Empfehlungen zu ähnlichen Produkten

Jane Austen is a writer ruined by TV adaptation (before you all start writing letters, I know there are good ones). Despite two centuries of inclusion in the canon, there are still many (and I am afraid they are mostly men) who dismiss her as 'frivolous', 'saccharine' or 'unserious'. This means it is only worth continuing to discuss Austen with people if they either don't use any of the aforementioned adjectives or if, by the latter, they mean, she is one of the funniest writers in English (full stop). If you don't know this already, the first page of 'Persuasion' will convince you, and then her biting, satirical commentary on Georgian society will show you that far from reverently writing about it out of admiration, she irreverently lambasts it and its eccentric snobbish hierarchy (people who write her off will probably say John Oliver likes Trump because both wear suits). If you don't believe me (and even if you do), read her (and start with 'Persuasion') before you watch her.
Jane Austen is a writer ruined by TV adaptation (before you all start writing letters, I know there are good ones). Despite two centuries of inclusion in the canon, there are still many (and I am afraid they are mostly men) who dismiss her as 'frivolous', 'saccharine' or 'unserious'. This means it is only worth continuing to discuss Austen with people if they either don't use any of the aforementioned adjectives or if, by the latter, they mean, she is one of the funniest writers in English (full stop). If you don't know this already, the first page of 'Persuasion' will convince you, and then her biting, satirical commentary on Georgian society will show you that far from reverently writing about it out of admiration, she irreverently lambasts it and its eccentric snobbish hierarchy (people who write her off will probably say John Oliver likes Trump because both wear suits). If you don't believe me (and even if you do), read her (and start with 'Persuasion') before you watch her.
Whoa. What a devastating read! A dystopia in the darkest sense of the word - without a happy ending whatsoever (that's how I interpret it at least).
A must-read classic.

You'll never think of rats the same way again!

Autor/in

Schlagworte