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A Sound Mind
ISBN/GTIN

Produktbeschreibung

'Exhilarating' - Sunday Times
'Funny and moving' - Jarvis Cocker

Music critic and writer Paul Morley weaves together memoir and history in a spiralling tale that establishes classical music as the most rebellious genre of all.

Paul Morley had stopped being surprised by modern pop music and found himself retreating into the sounds of artists he loved when, as an emerging music journalist in the 70s, he wrote for NME. But not wishing to give in to dreary nostalgia, endlessly circling back to the bands he wrote about in the past, he went searching for something new, rare and wondrous - and found it in classical music.

A soaring polemic, a grumpy reflection on modern rock, and a fan's love note, A Sound Mind rejects the idea that classical music is establishment; old; a drag. Instead, the book reveals this genre to be the most exciting and varied in music. A Sound Mind is a multi-layered memoir of Morley's shifting musical tastes, but it is also a compelling history of classical music that reveals the genre's rich and often deviant past - and, hopefully, future.

Like a conductor, Morley weaves together timelines and timeframes in an orchestral narrative that declares the transformative and resilient power of classical music from Bach to Shostakovich, Brahms to Birtwistle, Mozart to Cage, travelling from eighteenth century salons to the modern age of Spotify.

'His passion for centuries of music - both celebrated and obscure - is infectious' - Irish Independent
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Details

Weitere ISBN/GTIN9781408868775
ProduktartE-Book
EinbandE-Book
FormatEPUB
Format HinweisDRM Adobe
Erscheinungsdatum01.10.2020
Auflage1. Auflage
SpracheEnglisch
Artikel-Nr.9350876
KatalogVC
Datenquelle-Nr.2506729
Weitere Details

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This is not a new book - indeed so un-new is it that it has recently been republished in a handsome "classics" edition. Classic non-fiction is pretty hard to define - taste and timeliness overtake the factual more quickly than the fictional - but Bloomsbury deserve credit for elevating this decade-and-a-bit-old account of an 1860 murder in rural England.

What makes this book so compelling and timeless is its skilful blending of the story of the murder with an account of why detectives (and by extension detective fiction) so captivated Victorian Britain. Before reading it, I had no idea how new detectives were in the 1860s and how much media and literary attention they garnered in their early existence, with people from across society pitching in to praise their omniscience or to criticise their actions as murder solving became a national parlour game. Excellently written and researched this book will help you understand why Sherlock Holmes and Miss Marple are as famous as they are.
This is not a new book - indeed so un-new is it that it has recently been republished in a handsome "classics" edition. Classic non-fiction is pretty hard to define - taste and timeliness overtake the factual more quickly than the fictional - but Bloomsbury deserve credit for elevating this decade-and-a-bit-old account of an 1860 murder in rural England.

What makes this book so compelling and timeless is its skilful blending of the story of the murder with an account of why detectives (and by extension detective fiction) so captivated Victorian Britain. Before reading it, I had no idea how new detectives were in the 1860s and how much media and literary attention they garnered in their early existence, with people from across society pitching in to praise their omniscience or to criticise their actions as murder solving became a national parlour game. Excellently written and researched this book will help you understand why Sherlock Holmes and Miss Marple are as famous as they are.
Nachdem ich bereits "Soon may the Wellerman für Gitarre/Ukulele und die Sammlung "Sailor Song" empfohlen habe, kann ich gar nicht anders als diese neue Shantie-Sammlung - von Nathan Evans zusammengestellt und kommentiert - ebenfalls zu empfehlen. Der weltweite Erfolg der Lieder hat wohl alle überrascht. Eine Erklärung mag sein, dass es in Zeiten von Lockdowns und Distanzierung kaum etwas gibt, das die Sehnsucht nach Gemeinsamkeit so auf den Punkt bringt, wie Shanties dies tun. Gesungen wurden sie in der Isolation eines Schiffes auf weiter teilweise lebensfeindlicher Flur bzw. Wasseroberfläche, während Familie und Freunde weit entfernt zurückblieben. Gleichzeitig spiegeln sie die Sehnsucht nach Rausgehen, Reisen, fremde Länder entdecken, neue Menschen kennenlernen, was gerade stark eingeschränkt ist. Diese mit zauberhaften Holzstichen und Zeichnungen gestaltete Ausgabe ist ein wunderschönes Weihnachtsgeschenk für alle, denen wir unbedingt sagen wollen, dass wir sie gerne um uns haben.

Autor/in

Paul Morley grew up in Stockport, Cheshire, and has worked as a music journalist, pop svengali and broadcaster. He is the author of a number of books on music - Ask: The Chatter of Pop, Words and Music: A History of Pop in the Shape of a City, Joy Division: Piece by Piece: Writing About Joy Division 1977-2007 and Joy Division: Fragments - as well as an acclaimed memoir of his early years, Nothing. Paul has written for a number of publications, including the New Statesman, the Sunday Telegraph, NME, the Observer and the Guardian.